Tempest

Silas winced as more rain lashed at his eyes after he’d dared a glance at the storm around them. It had come upon them so suddenly in the night, only the relentless and violent tossing of the ship could adequately dispel the hope that it was a simple nightmare. He heard his fellow sailors screaming on the deck far below him, and above the howling winds and gutturally roaring waves, his ears caught their awe-struck cries. Silas chanced a look down, and what he saw drove almost all the rest of the world away. In the wine-dark waters churned an aurora of brilliant colors…

A ley line.

Massive ribbons of green and streaks of violet cut swathes of mercurial silver and indigo against the abyssal darkness of the sea at night. Within those colors sparkled crackling stars, like embers of a cold cosmic fire that ebbed and flowed with Thalassa’s own pulse. The immense strength of the storm swelled, pulling up a twisting wall of water. The cyclone gripped the ship, lifting it from the ocean’s seat. It drew the mystical colors up around them as a web, surrounding the ship and its sailors in it as though swaddling a babe. Seamen screamed and planks of the deck were ripped into watery oblivion.

Alone in the crow’s nest, he felt his pruned, aching fingers gripping the wood, desperate for any purchase and bleeding into the grain. He did not want to die. He could not. He had a need to return home so desperate and primal but to only be the gods’ gift to mortals. At last, he dared a glance at the sky. Primal, chaotic pressure swelled, and upon being noticed, it loosed. Alabaster lightning cracked from pregnant clouds, reflected in Silas’s eyes.

And it struck him.

He felt it in a single, phenomenal moment stretched across eternity. Within it, his life became a story indivisibly told. He thought of home, of white gulls against blue sky and the sandy fronts of Sanplona. His mother’s laugh, the warmth of her breast, and the months of cold pain following her death, all silently remembered in a fractured second. The sickly desperation of life alone, the relief in being found by his mentor, Brunah. The fulfillment in his hands, holding coins he’d earned with his own sweat, then by his first trade. But overshadowing it all were his wife’s eyes and his daughter’s face, standing over the memories like monuments.

Agony unlike anything he’d ever mortally known burned every fiber of his body, but not alone. Golden joy. Bitter and resentful scarlet. Ever-present lavender wanderlust. The violet of unfulfilled ambition. Sickly green anxieties and worries. Love’s warm magenta. They were all felt in an instant, and then, in that same moment, he was scattered, spread across the sky like paint on an artist’s palette.

The Good Ol’ Days

I was talking to my highschooler the other day and he said something I’ve been holding onto. I guess his physics teacher mentioned subatomic particles while talking about atoms, and my kid asks, “Where does it stop?”

“What do you mean?” goes the teacher.

And my kid goes, “I thought atoms were the smallest things in the Universe, but now we’re saying there’s things smaller than that. Where does it stop? Are there things smaller than those particles?”

And bless him, his teacher goes, “Y’know, we don’t know yet, but probably.”

So he comes home and now we’re talking about it. And we start talking about how, well, the Universe is infinite, right? It doesn’t have an end. It almost can’t, because even that thing we call the end is just edge of the Observable Universe, because if it has an end, and if it’s expanding, the obvious question is “What’s it expanding into?” Even if it’s empty nothingness, that nothingness is still something, in the end, if it’s space to be expanded into.

And this is all him saying this, but he goes, “If it goes infinitely out, why can’t it go infinitely in?”

And I ask him what he means, and he says that, well, if space goes infinitely out, it doesn’t make sense that it stops going the other way. Like, it seems less likely that we’ve found the starting point – atoms at first, now subatomic particles, maybe later something smaller than that – and everything else just gets bigger from there. So what if there’s an infinite smallness too?

He said he tried telling his friends this stuff and you know how kids are. They tell him stuff they heard in Ant Man, then google some stuff about quantum this and that without understanding what they heck they’re talking about. But, I mean, come on. We do it too.

But then he goes, “Is Time the same way?”

And again, I ask him what he means.

And he goes, “Well, it didn’t start, right? Because how would Time start if there’s a time without…Time?”

And I tell him I don’t think it works that way. He asks me why not, and I tell him that, I guess, I don’t really know.

“So, for argument’s sake,” he goes, “what if there’s always been Time? Like a Forever Past. There’s never been a time without Time and without Stuff. No beginning to it, there’s just always been Stuff, whatever that is.”

Okay…I say.

And he goes, “So then what about the future?”

“Well it hasn’t happened yet,” I tell him.

He says, “Sure,” but in that way you say things when you’re just being polite, and then he goes, “But why not?”

I ask him to explain, and this is what he gives me.

He says that to people in the past, like the 1800’s, we’re living in their future, and it’s real to us, so why wouldn’t it be as real for them, even if it hadn’t happened yet, because bottom line, our present, their future, is a real thing, and right now proves that. So why not the same for our own future? If Time goes back forever, without a Beginning, just always being, why wouldn’t it be the same for the future? The same way there’s an infinite expansion to space, going forever outward, getting bigger, why can’t there be an infinite smallness?

So, he says, the same thing we did for space, accepting that it goes infinite in both directions instead of just the one, what if we say the same for Time? There is no end to it. There will never be an End to it, just like there was no Beginning. It just…is. Everything didn’t just Begin, it always Was.

It’s had me messed up. He’s at his mom’s now, but I’m still up thinking about all this. It’s changed how I look at the Future. I used to think that determinism or Fate was at odds with Free Will, but I don’t know so much anymore. Maybe we’re just characters in a movie, everything in every way already determined in some unknowable way, but us, here, now, in our freedom to choose, are going to make it that way. It’s got me thinking about when I die, however that’s gonna happen, and wondering if when it happens, I’ll experience it with a wonder like, “Ah, wow. So this is what it’s gonna be like.”

But mostly, it has me thinking about now differently. Like, if Now isn’t the vanguard of the timeline like I’ve thought, the place where the Future becomes the Now, and instead it’s just somewhere in the infinite middle with the Future set, as real now as it will be when it happens…

I don’t know, I guess it makes me feel like I’m living inside my own memory. I look around and go, “Huh, a lot of this I’m going to forget. But what I’m looking at right now. Feeling right now, hearing, smelling. Sometime, I’m going to be remembering this moment. It’s like I’m alive in the Memory of Some Day, all the time. Makes me remember that even when times get tough, the Good Old Days are happening right now.

…

That, or he got into some reeeaaally good weed, and I need to call his teacher.

The Window Seat

“Sir?”

–

I read once that astronauts experience this thing called ‘the overview effect’. They get up there, into space, and they look back down at the Earth. And all in one frame they see their home. All of it. Everything they’ve ever known, all in one spot. And behind it is this endless, limitless, boundless, timeless, infinite expanse of empty black. It’s the closest thing to seeing the face of God itself.

And in that black, distance suddenly means everything and absolutely nothing at all. Miles no longer matter. And everything that maybe seemed so foreign or strange as a different country or culture on Earth is suddenly realized to have been so embarrassingly close by this whole time. There’s no such thing as an Other, or a Them, or a fight that’s at all worth fighting over when you see it from up above.

It’s why I like having the window seat on airplanes. When it’s taking off or coming in, and you’re just a few thousand feet above a major city, and you get to see it all while still being close to it. See all the cars on the highways, see all the streets winding like veins through business centers and neighborhoods, seeing all those houses, each with a family or two inside…

I read about another term too, called “sonder”, out of the Dictionary of Dark and Nameless Things. It’s the term for that existential feeling you can get when you realize that everyone you meet, everyone you come into contact with, even if it’s just a glancing one on the sidewalk or in a restaurant, they each have a story and an inner life that’s at least as rich and complex and complicated as your own, with thoughts, observations, dreams, lessons, experiences, wants, pains, et cetera.

However complicated my life may feel sometimes, or how drowning or urgent it may seem to me some nights, seeing all of those streets, those houses, those lives, those souls and lived experiences remind me how many of us there are. They remind me how incalculably many of our stories there have been throughout history, each and every one as meaningful or tragic or triumphant as the next. It reminds me that I am a drop within an ocean, one star inside a galaxy, no less phenomenal for my smallness nor my brevity on this planet, which itself is one among untold billions. And in that brevity and in that smallness comes the privilege of ever being.

And that, in itself, is pretty great.

–

“Sir?”
“Oh! Uh, yes? Sorry. Yes, what? Sorry.”
“Would you like anything from the drink cart?”
“Ah, a Sprite. Thank you.”

This Old Jacket

Oliver and Sarah walked along the beachside park. The wind was crisp with the sun trying its best to warm them from behind the heavy overcast. They walked on the sandy grass beside the paved path to make room for all the joggers, strollers, and headphone-wearing rollerbladers that used it too. They each nursed their own vanilla ice cream cone while they walked.

“Happy birthday, again,” Sarah said.

“Thanks,” Oliver chuckled weakly.

“How’s it feel to be thirty-three?”

Oliver chewed the inside of his cheek a moment in thought before answering.

“Tiring,” he said.

“Yeah,” she conceded.

They kept walking after that, occupying themselves with peoplewatching as they went. There was someone in large, flappy pants juggling bowling pins with a hat full of tips nearby. They saw an old couple laughing together on a park bench, and looked on at what seemed to be a fiery teenage break-up out on nearer the shore. There was also an overturned tricycle with a young father inspecting his son’s scraped knee next to it.

“I’m not as patient as I used to be,” Oliver sighed. “And that’s kind of a bummer. It used to be easy, but now it takes effort.”

Sarah nodded sympathetically. “I get that,” she said.

“I’m an optimist at heart, but the more I see things not work out it gets harder and hard to be that way. It’s like being out in the cold with an old jacket on. It’s familiar, cozy, and warm enough to keep out most of the chill, but it’s gotten thin with time and has some parts along the seams. You can feel the cold on the other side of the fabric and bits of the breeze sneak through here and there, but the jacket’s there too, keeping the heat in. It almost becomes about which you focus on is which you feel more, the warmth of the jacket or the chill reaching through it, and you flicker back and forth in this limbo between comfort and discomfort, making it sort of both and not really either, all at once.” He took a big breath, then let out a somehow bigger sigh.

“But I like my jacket,” he said.

Sarah glanced between Oliver and her own shoes. “It’s a pretty good jacket,” she agree quietly.

END

Night of the Hag

Doste peered anxiously out the window. The moon was high, and there were a scant few clouds to hide its light. There was no one about at this time of night, but he remained nervous all the same. He drummed his fingers on the windowsill.

“Is this truly necessary?” he asked over his shoulder. His wife, Brynn, sat by the fireplace with their guest, and his eyes focused on their reflection in the glass. “We could think this over another night.”

The cloaked figure sat hunched opposite Brynn, poring over items in a deep wicker basket, and paused, silently looking first to Doste then to his wife.

“We have thought on this,” said Brynn, her voice soothing and warm. “We have thought and spoken and prayed, but this will be our chance.”

Doste felt himself frown slightly and a breath hissed from his nostrils, but he didn’t offer further protest. He joined them by the fire, and his gaze fell to the cloaked figure who had begun arranging items from the basket onto a small, whittled tray and grinding them with a mortar and pestle. Some of the reagents he recognized – whiteleaf powder, blackroot stems, Kingfoil moss – but some of the others being ground made his stomach uneasy.

“Yes, well,” he muttered, “I had imagined the help of a medicine woman in more of a…traditional sense.”

The figure cackled, and what little light from the fire reached into her hood briefly showed a face with unsettling features. “What I bring you,” laughed the hag, “is stronger than any medicine or faith you will find.” There was the smell of swamp water when she spoke, and her voice cracked against the ear like broken branches. She mixed the last of her components and brushed these into a separate bowl of liquid, viscous as blood.

Doste looked to his wife, but Brynn met his eyes easily with a smile, undisturbed by the creature’s presence. Her warmth never ceased, and he took such comfort in that. He allowed himself a deep breath, and together they waited for the hag to finish her concoction. When she had, she set the bowl between them and reached out with a gnarled hand, palm up.

“My payment,” she said simply.

“Oh, of course,” said Brynn, almost embarrassed. She reached into the folds of her dress and came away with a folded piece of cloth, which she handed to the hag. The hag looked it over quickly by the light of the fire and, seemingly content, stowed it within her cloak. Doste wore his confusion on his face, but Brynn discreetly shook her head at him.

“Place it beneath your bed, leaving it undisturbed for one week,” instructed the hag. “After your next bleeding, have your husband take you. Then, you will bring the bowl into the wilderness to the north and empty its contents onto the roots of an oak which bears a scar in its bark. When this is done, well…” Though her face was hidden in the darkness of her hood, the two could hear lips sliding back over wet teeth in the way of a grin. “Enjoy motherhood,” she concluded.

Brynn nodded solemnly, though she softly quaked with an inner excitement. She searched her thoughts for a few moments, struggling for words. “Thank you,” she said finally, the start of tears shimmering in her eyes.

They exchanged nods, the hag collected her things, and had opened the door when Doste stood.

“What if it doesn’t work?” he asked.

She paused in the doorway, the quiet howl of wind behind her, and she turned to face him. Still behind the darkness of her hood, he could feel her eyes on him. She gently cackled. “Then I’d suggest you visit an herbalist, Doste,” she laughed. “Because the problem then would lie not with my aid nor your wife’s womb.”

In the time it took for his cheeks to flush and for him to blink, the doorway was empty and the two were left alone, the hag’s laughter echoing hauntingly on the nighttime breeze. Doste turned to Brynn.

“What did you give her?” he asked.

“All she wanted was a poem on something of my mother’s,” she said. “So, I wrote her an old nursery rhyme I remembered from when I was young onto a piece of her wedding gown.” Brynn shrugged. “Cunning women are strange. But what’s more,” she strode over to her husband and embraced him, “is that we’ll soon have a family, Doste.”

END

This was another character origin I wrote up for someone’s D&D campaign. The first half of it, at least. It goes on to be for a warlock who’s part hag, essentially, but I never finished that bit (gave the notes to him to complete…I think. It was a few years ago.), so the first half is more neatly wrapped up than I otherwise left it.

Anyhoo, more stuff on the way. Hope your days are treating you well. 🙂

Oasis

Jeremy watched the birds circling overhead. Seeing the black dots dance in their circuit above him, dark wings flickering against the bright white-blue of the sky, it was sort of like a negative image of sparkles in his eyes, and the thought of that made him chuckle. His tongue prodded dryly at the back of his teeth. He was lightheaded. His heat-shrunken brain reminded him that dehydration caused things like that. He chuckled again.

This was bad.

His feet were hot, so he tucked them underneath himself as best he could, into what scant shade his car provided against the abusive sunlight. Looking out, he watched the heat waves ripple against the unending white of the salt flats.

“You really should have packed some water,” said a voice.

Jeremy turned his head limply in the direction of the sound. There was a man leaning against his trunk. He wore loose-fitting linens that billowed gently in the warm desert breeze, bangles about his wrists, and nothing on his feet. The man smiled softly at him.

“Jared Leto?” asked Jeremy. The man barked a full laugh, but shook his head. “Thank God.” Then, after a moment, he asked “Am I dying?”

“A little bit,” said the man, nodding. “For real though, no water? Nothing?”

It was Jeremy’s turn to shake his head, then, reaching up through the open driver-side window, withdrew a mostly full bottle of bourbon.

“Wow. Not much good that’s going to do you.” The man in white took a seat next to him. “How’d you get way out here?”

“Mid-life crisis,” Jeremy answered simply.

“Some people buy a motorcycle to cope with those, maybe dye their hair. Not you?”

“Nope. Divorced, then bought a car I can’t afford and took it somewhere I could drive it really fast without getting arrested.”

“Race track didn’t make sense for that?”

“I guess not. Always wanted to drive on the salt flats, loved the idea of the desert. Or, at least, I thought I did.” Jeremy eyed the bottle in his hands a moment before setting it down. “The desert sucks.”

“It’s not great,” the man agreed. A few minutes passed with them both watching the few, thin clouds in their struggle against dry air. “If you don’t mind me asking, what’re you running from?”

Jeremy fought the reflex to deny the question and say that he wasn’t running from anything, and instead actually thought about it. Because, of course, there was an easy answer. He was running away from an utterly crumbling life: failing marriage, dead dreams, the shame of those things now hanging over his social circles like a immense wet blanket. And while there was still truth to an answer like that, the longer he took to steep in thought over it, it didn’t feel like the complete truth.

“I don’t think,” he began at length, “that I am running from something.” The man in white watched him patiently, feeling that the rest of the answer was incoming. “No. I think…I think I’m running after something instead. It’s like a dream, maybe, but one that I’ve never had- or maybe, more like one I’ve had a thousand times. That, and I listen to too many hard rock highway songs.”

“The ‘us against the world’, ‘drive fast and die young love song’ type?”

Jeremy flashed a finger gun. “Bingo.” Despite himself, tears slowly began to well up in his eyes. “So, when I bought this stupid car, tore off the lot, and drove it out here as fast as it could go with the top down, it wasn’t supposed to be by myself. That’s never how the daydream went. It was supposed to be my wife and I, middle fingers up in the air, rock music, all the rest of it. Not, well, this.”

“Well,” sighed the man in white, “what are you going to do, now that you are here?”

“I could just…die. Lots of people have done it.” He looked at his warped reflection on the bourbon bottle. A hot breeze blew dust over Jeremy’s feet and speckled the brown glass, aging it in an instant. For a moment, he considered what it would look like to someone who found him out here, weeks, maybe years after he died. Skeletal, coated in dust, forgotten. What stories would that person come up with as to how he got here, or would they find it obvious? Since Not Jared Leto was clearly just a figment of his dried up imagination, it would be the bones of a single lonely and doomed idiot who drove out to the desert, broke down, and died.

“You could,” nodded Not Jared, “but I wouldn’t recommend it.”

“It would be easier. A lot easier.”

“Than what?”

“Going back.”

“‘Remember, if the time should come when you have to make a choice between what is right and what is easy, remember what happened to a boy who was good, and kind, and brave.'”

“Ghandi? Old Testament?”

Not Jared laughed. “No,” he said. “Albus Dumbledore.”

END

I wrote that up at work the other day on nothing more than a whim. I was listening to some rock music from my teens years, felt a scene coming on, and voila. It definitely feels a little unfinished, but I had nowhere else I cared to take it, but I imagine Jeremy made it home, apologized for something, and lived happily ever after.

Anyway, news! Had a couple of publications this summer, firstly over at Twenty-Two Twenty-Eight Magazine is my story “Just like Old Times”, and more recently is my Sci-Fi story “Software” with Third Flatiron’s Offshoots: Humanity Twigged anthology. Check ’em out, let me know what you think, and live well.

A Council of Husbands Convenes over ‘The Bread Incident’ (+ a quick promo)

Since getting married last year, I like to think I’ve grown into the role of ‘husband’ rather well. It was a long road getting to matrimony, and my now-wife continues to be patient with me as I learn the in’s and out’s of my new job. Seeing as half of that job is knowing what to say and what not to say, suffice it to know that it’s been a learning process.

Some months ago we had a disagreement (what I like to call episodes where I earn her ire), and we’ve since laughed about it, so I feel somewhat free to discuss it here. As with any good disagreement of this kind, I have almost no idea what started it. But what I can say is that I didn’t help matters. The short version:

I said words about something, then she said words about that thing, after which I uttered sounds, whereupon one of us was grumpy with the other. We had plans to be at a friend’s that evening, and I was making flatbread to take with us. It’s a super simple recipe, dough gets squished, says hello to a skillet, boom – done. I think there was some lingering tension in the air, which led to some anxiety over us being punctual, and so with regards to my food prep and time management she asked, “Well, does it need to rise?”

I couldn’t help myself.

“I mean,” I half-snorted, “it is called flatbread.”

#comedylegend #foreverfunny #got’em

She gave me a look. And long story short, she was mad at me for about the next thirty-six hours. I went in to work a couple days later perplexed, and so asked my married friends. In short order, I was surrounded in a half-circle of other husbands, trying to decode where I went wrong. My friend Kopa mostly laughed, either at my misfortune or in sympathy, I could never really tell. Brad, the longest-married and most experienced of us broke it down for me like a coach reviewing a play, capping it off with a ‘better luck next time, champ’ kind of attitude. My friend Jason, though? He gave it to me straight.

“I thought it was pretty funny,” I argued.

“Oh, it was, but you called her stupid.”

“I categorically did not!”

“I get it, but yes you did. ‘It’s called flatbread, you idiot, no it doesn’t rise. How could you be such a dumb person to think that?’ That’s what she heard.”

“It was a play on words. Nothing more!”

“And it was cute, clever. But you shouldn’t have said it. In that moment, all it sounded like was, ‘Duh. It’s called flat, so no, it doesn’t rise, you dumb dummy.’

I took his wisdom to heart, went home, and apologized. We’ve been best friends ever since.

The creature Woman yet remains a mystery to me. At one moment, she stands clear as glass, transparent with her feelings and intentions. The next, she conflagrates, and stands aflame in righteous fury that is somehow your fault. Beautiful, deadly, she stands as an enigma to me, but one in whose aura I know only awe…

Anyhoo, if love stories like the above are your jam, go check out Twenty-Two Twenty-Eight Magazine and my story “Just Like Old Times” with them. It’s a cute little ditty about a love like we should all hope for. I should have more news soon too, been a busy year.

Bye now ❤

A Jack of All Trades Mindset

I enjoy a lot of hobbies, and sometimes that can feel a little like that means I’m not good at anything. I took up cooking recently because my wife and I were gifted a cast iron skillet that I fell in love with. I started by getting a couple of cookbooks, trying out different recipes, then going off-book and coming up with my own, now slightly-informed concoctions. And it’s been going well. I know more herbs and techniques now than ever before in my life, and I love the creative process of it all. Not everything I churn out is menu-worthy, but some stuff is.

And as with any activity, trade, or artform, there’s always more to learn, and there’s more going on under the hood than appears on the surface. That’s true when you learn anything, and it’s part of what can make everything fascinating. Once you realize everything’s that way – there’s a starting point, a process, progress, and development – anything new you try is at the same time more daunting and more accessible than it was at first glance.

It was that way with rock climbing and running, when I did those back in the day; I’m a big Magic: the Gathering player and it was that way learning the in’s and out’s of the game; same way, albeit simpler, for my recent backgammon obsession; similar to learning how to bend notes and operate your tongue playing the harmonica; and it was the same when learning how to shoot a bow back in the day, learning how to stand, how to use your shoulders and set your hips, how to release without plucking, how to breathe, etc.

Frankly, I’m kinda good at a number of things, because I’ve pursued them with interest. But the downside there is feeling like I also kinda suck at everything, since in each of those avenues mentioned above, there are loads of people who are better at them than me.

I’m better now at cooking than I was a few months ago, and it’s been real nice to impress friends and family with my newly acquired know-how, but next to any truly savvy cook, I’m a total chump. I’m much better than your average person walking the street at using a bow and arrow or playing Magic, but would be a slack-fingered halfwit on the line or at the table next to anyone who trains and/or goes to tournaments. I earned my first ever backgammon against a good friend the other week, but your average club member would probably use me to mop their floors.

But – and this is a big ol’ nice jiggly “but” – being the best at your hobbies shouldn’t be the point.

Kurt Vonnegut had a good story once about being sent a letter from a fan, and while I’m foggy on the details, I do remember the advice he had for said fan: Go home and write a poem. Make it the worst, most stupid and dumb-sounding poem that’s ever existed if you have to, then rip it up into tiny pieces and scatter them. The point isn’t in having the poem to show off, but in having written it. Art isn’t supposed to be done for a sale (funnily enough being said at that point by a profoundly successful professional author – an irony he himself points out). The whole point of art is to do it and enrich yourself by doing it. So write a shitty poem, sing a song that sucks, make a clay pot that’s ugly as sin – just do it, though.

I’ve raved before about how great a lesson the Pixar movie Inside Out had to give out, and up there next to it is the movie Soul. If you haven’t seen it yet, skip to the next paragraph, starting…now, but in essence the lesson of that movie is that a single-minded pursuit is the best way to miss out on life. The main character is so wrapped up in his romantic pursuit of being a jazz musician, he not only misses out on the joys of his daily life and he’s shocked to see the realities of that life don’t fit his ideal once he becomes one. It takes a cartoon cat to show him that life is about the small, loveable mundanities, the variety. No one slacks him for having a dream, it’s just that there’s more to life than that.

Now, there is a certain nobility to giving up a varied life experience in order to power-level one particular skill, to eschew other interests and pleasures in pursuit of mastery of one specialized thing. The star athlete that devotes every waking thought and action toward championship of their sport, the craftsman that locks themselves away in pursuit of perfection of their art, the businessperson that is single-mindedly focused on whatever they heck they’re doing – there is a certain degree of honor due to that lifestyle. But I’ve been stuck with the following quote ever since I came across it, spoken by Lazarus Long in “Time Enough for Love” by Robert Heinlein: “A human being should be able to change a diaper, plan an invasion, butcher a hog, conn a ship, design a building, write a sonnet, balance accounts, build a wall, set a bone, comfort the dying, take orders, give orders, cooperate, act alone, solve equations, analyze a new problem, pitch manure, program a computer, cook a tasty meal, fight efficiently, die gallantly. Specialization is for insects.”

So in conclusion, does a part of me lament not being the best at whatever I set myself to? Yes, a little bit. Does the rest of think that’s a pretty stupid thought? Absolutely. I think it’s kind of awesome to celebrate the talents, displays of skill, and ingenuity of our fellow peoples. We, individually, can’t do everything, we never will, and it’s a load off to realize that. Should we strive to be good at what we do? Sure, in the name of accomplishment and enjoying whatever thing is in question, but not to the detriment of that enjoyment.

Shoes for Little Sap

by Evan A Davis

It’s cool knowing a little bit about a lot. 10/10, would recommend.

ALSO! If you haven’t heard, got another story out there, this time courtesy of Abyss & Apex Magazine. So check them out and tell them how much you really like “Shoes for Little Sap” by that Evan guy.

Our Daily Bread (+ News)

“Quickly, help me with him!” shouted the first. “It’s the only way he can be saved.”

The second solemnly shook his head. “You know, if we do this,” he said gravely, “he will never be the same.”

“If we don’t, he will die! He’s already begun to turn, before long he’ll fall apart entirely. I’m not going to leave him here to rot!”

The first searched his feelings for a moment, before taking a deep breath and relenting. Together, they lifted their beloved elder and carried him to the steps of the Great Door, and upon its opening, felt the wintry breath of the beyond.

“Lo, there do I see my father,” spoke the second. “Lo, there do I see my mother, my sisters and my brothers. Lo, there do I see the line of my people back to the beginning of The Journey.” He began to sob, pain wrestling with the words. “Lo, they do call to me, and bid me take my place among them.” He placed a hand on their elder, snowfall already burying their feet.

“Rest well, brother,” he said. “Wait for me, beyond the bread.”

“Beyond the bread,” echoed the first.

Then, with heavy hearts, the two bananas closed the door to the freezer, and retook their place in the fruit bowl on the kitchen countertop.

[THE EXPLANATION]

So, I thought I was hilarious when I first scribbled this one out. And to be fair, I do still chuckle when I read it back to myself. I’ve shown it to a few friends and get nothing but a raised eyebrow and a “Huh…?” back. If it didn’t come across, it’s a couple of young bananas taking an older banana that’s started to spot and turn brown up to the freezer, where it later has a chance of being made into banana bread – which, if my wife has taught me anything, is the promised fate of all bananas that wind up in the freezer.

I’d also just watched The 13^th Warrior, which is likely where the Lo speech came from. If you got it and enjoyed it, freaking right on! Thank you for the validation. If not, I mean, I get it, and thank you anyway.

Lastly, if you haven’t heard or don’t remember from last time, I have a story coming out! Yeehaw’s and Woohoo’s all around. The lovely little tale this time is called “Shoes for Little Sap”, and it’s coming out with Abyss & Apex Magazine on Monday (4/1/24), so keep a look out.

Shoes for Little Sap

by Evan A Davis

Writing is just a Gambler’s Fallacy (+ News)

I’m gonna do one of those things I dislike, which is writing about writing. It always feels…I don’t know, almost masturbatory in a way, even if it’s self-deprecating. Like in movies or shows, or any of Stephen King’s short fiction where the protagonist is a writer, it strikes me as so obvious that I’m just consuming somebody else’s self-insert fantasy.

Which, I mean, what else am I subjecting your potential eyeballs to with this rant, really?

My point is that rejection letters are a part of this game. They go along with that saying of how success is 1% reward and 99% work that others don’t see. Speaking of 1%, actually, a lot of places I submit work to have an average acceptance rate of 1% or less. I take that to mean that I can expect 99 rejections for every pickup I get, or to put it another way, I have to try 100 times for each success I can expect. Now, I’ve beaten the odds on that a fair bit, but rejections start to get a little brutal when they pile up without a win somewhere in the mix.

But there are things that keep me at the table.

Like when a rejection is personalized. Most are form letters, templates, fine. But when one is personalized to say “Hey Evan, I liked your story. Here’s what it did well, here’s what missed, and we almost accepted it, but have to pass this time. I know it would have been a good pay day with great distribution and you were this close, but nah. Better luck next time. Kisses.”

Boof. Ouch. I think back to Loki’s words in the first Avengers movie, talking to Nick Fury: “It burns you, doesn’t it? To have come so close, but then be reminded of what real power is?” I don’t know what “real power” is in this analogy, but shit, yes, ouch.

That said, my brain can’t help but focus on the huge other side to all that: So…you’re sayin’ there’s a chance?

The truth is that there are a million reasons why work can get rejected. Loosely paraphrasing an essay I read from an outlet, Dream Forge, on the subject: Your story could have been funny and a good fit, but the editor who read it just didn’t feel like funny that day. Could have been the slush reader who happened across your story in the pile just went through a break up and took it out on you. Your story about kickass ninja vampires on the moon could actually be a perfect fit, but it just so happened that the story just before yours on the stack was also about kickass ninja vampires on the moon, and they accepted that one because they saw it first.

So submitting fiction is a lot like playing the lottery, if you don’t have an agent or a hook-up (and maybe even then, I don’t know). And knowing that I got super close to a win makes it feel like I’m about to, you know, just like the logic that the steretypical gambler that uses to lose their house at a blackjack table.

And there’s also the rush to consider. Either when an acceptance comes through, or even just when a new prospect or idea surfaces. I get a lot of my news about available submission windows through newsletter services like Freedom With Writing and Authors Publish, and most times when I send out a bevvy of submissions, it’s like sending a bunch of soldiers out on a suicide mission. I know most of those aren’t coming back.

But you have to try.

And when a fresh wave of new submission opportunities pops up in my email, scanning through them to look for anything promising…ooo, the rush of potential is what keeps me addicted to trying. And in the background, I try to always have something cooking, some new grist for the mill.

And sometimes those come through.

My story, “Shoes for Little Sap” is coming out with Abyss & Apex Magazine on the 1^st. It’s cozy, quick, and has a special place with me, both being a former NYC Midnight piece of mine and something I read to my mom when she was in hospital some years back and got her to smile. (I remember thinking then and there that the story had served its purpose, and I’d be okay if it never again saw the light of day after that. Of course, pretty thrilled to have it be published, but still, you get my meaning.) So yeah, check it out! I’ll be bugging folks about it on here more between now and then, but mark your calendar anyway.