Growing up, in the war between Star Wars and Lord of the Rings, also known as the ‘Great Conflict of Sci-Fi Nerds and Fantasy Nerds of Forever,’ I always had my flag pitched pretty firmly in the camp for Fantasy Nerds. That’s right, you science nerds can suck it with your “lasers,” and your “spaceships,” and “anti-gravity-whateverthehell,” I’m over here with dragons, immortality, ethereal curses, and all the rest.
And even now at twenty-seven, I still do kind of hold that stance, but am waaaay more of a mercenary now than married to either side. My heart will always be with the art of High Fantasy, but I’ve come to see the love for science fiction a great deal and have really become a sucker for things like the cyberpunk genre (R.I.P. CD Projekt Red). Movies like Upgrade, Blade Runner 2049, Ex Machina, Ghost in the Shell, and to a lesser degree of genre, Arrival, Inception, and Tenet.
As it turns out, Sci-Fi is awesome.
Alright, I was writing something out, but then I began to notice all I was doing was spoiling the story here today, so I bumped it to the bottom. Without further adieu….
April 6, 2034
This day…just…keeps coming back to me.
You’d just died maybe two months before, and I’m standing at your grave. The headstone your family got for you is nice, nobody seems to go out for real marble anymore. Others have been by and left flowers too, I guess. But you didn’t tell too many people you liked sunflowers best, natural ones. The synthetic daises under your name smell right, the petals even bruise if you press them, but they never wilt. And they don’t bob in the same way when the rain drops hit them either.
I want to stand in the rain because with you gone at least it would feel like I have someone to cry with. But of course Lucille’s right there with the umbrella.
“Are you cold?” she asks me.
“No,” I tell her.
“Are you sad?” she asks after a pause.
I almost laugh, but there doesn’t seem to be a point in it. “Yes. Of course.”
“Barry,” she says again. “May I ask you a personal question?”
“Are you afraid?”
It’s hard to say what it was, but the question stopped me. I had to swallow a lump in my throat before I found I could answer. “Of what?”
“Dying,” she says.
All I did was watch the rain break against the marble and run along the letters of your name. She’d struck a chord.
I want to tell her I am, but am also not. After all, you’d done it, so had everyone in history, so it can’t be that bad. I think of all sorts of reasons to be or not to be, but in the end all I say is, “I don’t know. Maybe.”
“May I ask you another personal question, Barry?”
I don’t say anything, but just nod.
“Are you afraid of me?”
This time I look at her, and she looks at me. It’s tough to say what it is – at first I think it might be because she looks like you – but I think instead it’s the way she looks at me. I look into her eyes and every second longer I do, I see something else. Her eyes aren’t steadfast, they flutter subtly, searchingly, minutely quivering like yours or mine. Her lips flex so slightly, the way they do when your teeth don’t touch and your jaw is uneasy, so subtle you wouldn’t notice if you weren’t locked in such an intimate moment with someone.
“It isn’t fair,” I say.
“What isn’t fair, Barry?” she asks.
“To be so unsure.”
And why shouldn’t I be? The small signals in her eyes, her face, her hands. The soft cues of inner feelings we all use, all wrestle with. Our emotional responses have outward signs, just because she’s different doesn’t mean they can’t come from the same place. And how is she so different, anyway? Because she has a production date? I have a birthday. She has a serial number? I’ve got a social. Because of her programming? I’m a creature of habit and education too, but that doesn’t mean I’m not a person beneath it all. And that “unique cipher” DigitalBio is so proud of each of their products having…
I look down at my hands and think of the countless times since androids were first announced that I’ve done that. The runic layout of our fingerprints, the ridges of those tiny lines, the creases in the palm – it’s hard to see how that’s really any different.
I look back at her and she looks at me. Just like you she’s beautiful. The way her hair rests on her shoulder, the way the blue of her eyes contrasts against the gray background, she reminds me of you a lot.
Two men walk past and I catch their sneers. “They let you bring that thing onto the grounds?” they mutter. Of course she hears them, I’m sure, but she won’t move.
1’s and 0’s. Plastic, carbon fiber, and alloys. A machine of intelligent design is what we’re supposed to see. Programmed responses, algorithms, protocols, functions, and nothing else. But why is it foolish to see more than that? Once upon a time, the animal kingdom was thoughtless and bereft of conscious intelligence, but look a little further and gorillas take up sign language, whales and dolphins speak, crows remember faces, elephants lament and mourn their dead – all just like we do. Hell, even mushrooms communicate with each other. It only took a small amount of respect to see humans aren’t as alone as we pride ourselves.
So why am I so unsure when I look at her? I’m standing there, in a city cemetery, and she just stands there looking back at me. I feel the first tears burn down the side of my face and I know exactly why: because I don’t know whether or not to feel alone there.
“Do you,” I say still wiping my face, “do you ever get that way?”
It would have stuck with me no matter what, but what really got me was that she didn’t answer straight away.
After a few seconds of silence, I look at her again and her eyes are in the grass. I see her squeeze the grip on the umbrella, barely, hardly perceptible but it’s there.
“Yes,” she says.
Arthur C. Clarke had this great quote once upon a time where he said, “Two possibilities exist: either we are alone in the Universe, or we are not. Both are equally terrifying.” He’d meant E.T.’s, I think, but here I was confronted by a one-word answer that scared me, relieved me, excited me, lifted an enormous weight off my shoulders, and settled a new one on them all at once. I’d never felt those words more heavily than I did in that moment. The rain began to pick up again and drum against the umbrella’s hood.
“Come on,” I say.
“Where are we going?”
“Let’s go get a coffee for starters. This talk should take a while.”
Maybe she’s more like you than I thought.
Funny thing since you named her, eh?
I’ve harped on it at length before, but the game Detroit: Become Human may have faults here and there, but I ultimately found it to be an incredible ride in narrative. The piece below (now above) started, I’m pretty sure, was born of inspiration from playing that game. It was a Mental Movie that featured a man and a woman in a hospital room, at first. The man would be older and sort of plain, looking sort of like Paul Giamatti, and the woman would be young, fair, and beautiful. She would be in the hospital bed, and he would be standing beside her, and all that would take place is a conversation about humanity. Slowly, it would unfold that one of them was an android while the other was human, and I felt the natural assumption would be that the woman would be the manufactured android, giving how beautiful she was, but in reality it would be the man – I don’t know, an attempt to show the separations of what we value, humanity, and how those things influence our assumptions while at the same time being intrinsically linked. Then, one morning, I sat down, slapped some keys, and we got the above little piece.
Mmm, yeah, we have time for this- oh! And to clarify, not “random” to me, exactly. What I’m about to thought-vomit on is a topic I’ve spent a weird amount of time fixating on every now and again; but I should be random to you.
If it’s not, then, well, that has certain…I guess, existential implications to it. Or we’re just on the same psychic wavelength, which I guess is always possible given how many people there are in the world- Anyway!
Do me a favor and look at your hands. Palms flat, fingers extended and straight. First off, take a moment to note any scars, callouses, wrinkles, and so forth. They’re all kind of a cool road map of your history, what you’ve done with these two little collections of meat tentacles.
But the reason we’re here today, look at your fingerprints. Not even actually caring about how unique they are to every person, have you ever noticed how, if you stare at them long enough, you can start to see the ways in which those tiny grooves are almost runic? Just, the texture of the skin on your palm and fingers has a pattern like stylish filigree. And to the smart guy out there who’s maybe googled “where fingerprints come from” or whatever: 1) I haven’t, and 2) that’s not the point, really.
At the end of the day, I like to think of the pattern’s presence as a little reminder that we’re all works of art, and that’s a trait we all share.
I guess, unless you’re a spy or something and have had your fingerprints smoothed over for work. But I think we should agree that’s pretty unique.
Anyway, something to chew on. Happy weekend, y’all.
Happy Sunday, everyone (or whatever day it is when you give this a read).
Also, Happy Dia de los Muertos, everyone!
I’m not Latin by blood or heritage, but orbit this holiday a lot through my mother. For as long as I’ve been old enough to pay attention, she’s loved everything about this holiday, from the aesthetic and colors, to traditional dances and rituals, and the spirit the day encapsulates and represents.
There’s a local museum in our city that hosts events and exhibits surrounding Dia de los Muertos’ history and cultural art that we make sure to attend every year they’ve done so, and this year will be no exception (safely, of course).
A bit cross-cultural, but in the spirit of the holiday, I figured I’d share a few haiku I put together some months ago that center around the ideas of the day. I hope you like ’em and maybe find something in them that resonates. Mm’wah!
Death Stories deserve ends Beautiful incarnations, return among dreams.
Memories Precious currency Echoes which reflect values Hum, eternal bones
Being Sudden miracle Awareness behind the thought Phenomenal spark
Anyhoozle, take care everyone. Give somebody a hug while you’re at it.
Whether you believe in them or not, we all have a couple ghost stories. They might be for telling around a camp fire, sharing between friends, or recounting to a therapist. They have a habit of ranging from “just weird feelings” to seeing an apparition of some sort at the foot of your bed.
I won’t lie to you, I’ve never seen anything, but that’s SO MUCH for the best. I’ve heard things, felt things, and felt things, but never laid eyes on anything beyond the grave. I am completely convinced, however, that if I did, that would kick me straight into fight-or-flight mode. I realize there’s also a ‘freeze’ option there, but nope; if I see something, there’s going to be motion.
(First up, I want to remind you to check out a post from earlier this week, Lady Death, just as it’s a little appropriate for today. And what’s more, if you’re REALLY feeling a good ghost story, do me a favor and check out Episode 209: “The Scars of Eliza Gray” on the NIGHTLIGHT podcast. It was one of my first publications and remains one of my favorites.)
And now, a series of ghost- or near-ghost-experiences:
The Christmas Ornament Little bit of backstory to start off: my father passed away when I was nine, December of 2003. As one might imagine, that had a certain impact on Christmas that year. For the first time, it was just my mother and I, and looking back, I think on it less of how I remember it as a kid and more of how well she handled it as a newly single mother – which was, for the record, very well. We moved house that next summer, and when December ’04 came around, as the story goes, mom had an encounter. I had gone upstairs and gone to bed, she was downstairs closing down the house preparing to do the same. The way the house was situated, her bathroom was at the end of a short hallway that connected it to the now darkened living room. She’s standing there, brushing her teeth, when she hears a sound coming from the Christmas tree standing at the opposite end of the hallway. There was a little electronic train ornament that was a staple of our Christmas decorating. It had my name written on it, and when you pressed the button on the steam spout, it would sing a little song out of choo-choo noises. Thing was, the button had stopped working years ago. So there she stands, toothbrush in mouth, watching this little, long-silent ornament sing its song at the shadowy edge of the bathroom light’s furthest reaches. As she tells it, she addressed my father by name, calling out, “Vern, you don’t live here anymore. Go upstairs and see your son, but after that, you need to go.” I joked the next morning that I found it pretty irresponsible to think there was a ghost in the house and have your first response basically be, “There’s a defenseless, sleeping boy upstairs. Go bug him instead.”
Suddenly Awake This one remains my hallmark experience, and apologies up front as I still haven’t yet found that words do it justice, but here goes… It was a night like any other. I was maybe eighteen or nineteen at the time, fast asleep. Middle of the night, time unknown, I open my eyes. I wasn’t groggy, wasn’t sleepy or coming to consciousness. I was just suddenly awake, as if I had been for a while and was just now noticing; not startled, not scared or anxious or energetic, just suddenly conscious. I know that, because it was moments after I woke up where I began to wonder why I’d done so, that a dreaded creeping sensation came over the room. I didn’t hear anything, but some other sense was telling me that there was another person in the room with me. I felt myself being looked at, being observed or examined. It wasn’t sleep paralysis, necessarily. I could move if I wanted to, but chose to play possum, like if I’d looked over my shoulder at that moment it would incense whatever was in the room with me. The pinnacle of the experience came in two parts. The first was that – and as certain as I remain of this, the part of me that’s objective knows to acknowledge it may be the fault of memory – I finally heard something. There was a whisper, clear-as-fuckin’-day, right next to my ear. Couldn’t make out what it said, just that there was a voice inches from my head. And not a sound that’s half-heard, prompting a “Did I just hear something?” response; it was undoubtedly something. The second was that moments after the whisper, that anxious, defensive dread that had blanketed the room evaporated. It was a palpable change. As cliche as it is to describe something this way, it’s as though there was this weight to the air, and suddenly it vanished. It didn’t “lift,” it just…ceased. Right after it did, the exhaustion of sleep immediately took hold, like I’d been awake for days, and I konked out. Really, it was the suddenness of the experience that spooks me, here. Suddenly awake, there’s a presence, whisper, then nothing, then sleep again.
“Can’t get me now, bitch.” I’ll be honest, this one’s more funny and a moment of pride than anything else. If you’ve ever seen the movie The Grudge, you’ll know that, especially for it’s time, it was goddamn terrifying. I’ve always had a weakness for horror films, and not in the sense that I can’t resist watching but in that they affected me A LOT when I was younger. The gist to the film, if you haven’t seen it, is that an American gal goes to Japan for reasons and gets haunted by a dead girl for other reasons. There’s a scene somewhere near the middle where she’s in her high-rise apartment and receives a phone call from a friend of hers, another American. He tells her he’s downstairs and wants to be buzzed in to come up and visit about something in person. She hits whatever button that unlocks the ground floor gate to let him in, and not moments later, there’s a knock on her door. She goes to look through the peep hole and sees it’s her friend who was supposedly just on the ground floor, some twenty-odd stories below her. She makes a joke about “why go through the antics if you were already up here?” and opens the door for him. Of course she opens the door to an empty hallway. A ghostly sound comes through the phone and lights in the hallway begin ominously going dark. So, like a responsible adult, she flings the phone to the ground, slams the door shut, runs to her bed, and hides under the covers. While there, a lump rises at the end of the bed and starts snaking towards her, and INSTEAD of wildly kicking her legs like she should, she anxiously lifts the covers and gets dragged into the abyss by the ghost only to awake an untold time later. I was maybe twelve years old when I saw that and found it ghastly amounts of frightful. But what did I do? I didn’t let fear get the best of me, I got creative. For the next two weeks, I slept on TOP of my covers in a zipped-up sleeping bag, confidently safe in the knowledge that, “Ha! Bitch can’t get me if I’m in a BAG! Winning!”
I wish I could say this was inspired by something more monumental, like a big life event or existential epiphany, but the truth is far simpler: The Ghost of Tsushima is just that great.
In every way, the game is an (A+) work of art. While the duels among cherry blossoms and battles amid flames are thrilling in their own right, I’m in it for picking flowers, petting foxes, writing poems. If it weren’t for all the swinging massive razors and duty-bound murder parties, I’d HELLUV been a samurai. But since those things are kind of a package deal…oh well.
May I present, some amateurish poetry…
Haiku Pause, breath, and reflect. Flower on a windy cliff, breathe and be nourished.
Moon A light amid dark Silent, blossoming brilliance Gate to the cosmos
Supper Food in my belly Warmth spreading through my body. This is just the best
Can I lead up at the top that I appreciate you? Whoever you are, though I don’t know your name, your voice, your favorite food, or whether you prefer high-five’s or fist-bumps – I think you’re pretty great.
Out in California, right now we’re all collectively preparing for fire season. Mostly that means expecting power outages, preparing (at least mentally) go-bags we can quickly pack or grab in the event of an evacuation, and taking stock of what things are important enough to warrant inventory space and which might need to be committed to flames (worse case scenario, obviously).
Most of us have an idea of what we’d bring, and what that does is highlight what matters to us. It also usually highlights how many things of ours are…just things. And when that happens, it leads to a deeper appreciation for what we have. This could lead into a never-ending rant about how Thanksgiving is my favorite holiday, and how I think it suffers the incredible irony of being severely underappreciated whilst getting crushed under the stampeding boots of Christmas shoppers- BUT we’ll leave that for another day.
In a largely roundabout way, what I mean to center on is that it’s a common thing for most go-bags to include a small stack of a person’s favorite books. Now, while fiction is my first love, and my treasured collection of Witcher novels would need to be pried out of my cold, dead hands, another that would need to come with me is Thomas Paine’s “Age of Reason.”
Enormously controversial in its day, I’m sure it could still be seen that way nowadays. In short, Paine describes it simply as his thoughts on religion. No wonder why then, in the mid-eighteenth century, the book landed him in some pretty hot water (and, actually, totally in jail). The second half of the book was written from prison, and it’s essentially his dissection of the Bible and the reasons why, in his view, it’s complete cockamamie nonsense.
I don’t love it for its second half. I love it for the first half.
The first sixty-eight pages (of my edition, anyway) are Paine outlining his own personal form of Deism – deism being a viewpoint that sees the universe as having a supreme, creating intelligence, but one that is separate from and does not intervene in the material world (Creation).
And while I want to, I’m not going to quote anything here – because I insist you read it yourself (found easily enough as a pdf right here —> Here!); and if you do, scroll down to pages thirty-three and thirty-four to get a taste of the root of his outlook.
In brief, he doesn’t see God necessarily as being a big bald-headed man in the clouds with a big floofy beard. Whatever name you want to give the force greater than understanding, more universal and common but as mysterious as consciousness itself, doesn’t matter so much.
But what is important is that the worship is in seeing. It’s in listening. In feeling. In smelling. In tasting. Taking in the world around us, trying to comprehend it, but above that – appreciating it.
Not to get too ‘woo-woo’ on us, but do you ever take a moment to recognize that you exist?
Just the fact that you, the awareness behind the eyes, inside the body, and behind the thoughts of whoever you are – are real. For no discernible point or purpose, from a mysterious some-say-unknowable origin, as a cosmic phenomenon…you exist. AND you’re able to contemplate that fact. Cogito, ergo sum, after all.
Worship is in appreciating what’s in front of you. What’s in you. What’s happened, or all the unknowable things that will happen. All of the heart-breakingly beautiful shapes and creatures on the planet, or those things our astronomers have shown us out in the cosmos.
It’s such a warping thought to know it’s so large that to even try comprehending the full breadth of it is unimaginable from the start.
Anyway, I’m feeling lost in the weeds now. We’re FULL rant. But…gah, things to think about right?
TL;DR – I appreciate you, things are awesome, good to think on that sometimes, woo-woo.
First things first: it bugs me to no end that often times spellcheck will give the little red squiggle to “axe” if you spell it with an ‘e’ at the end, but “ax” is perfectly fine even though “axe” is already perfectly fine.
That was stupid.
What’s up everybody?
I’m not sure what reminded me the other day of the following story, but I’m glad whatever it was did. Back in 2016 was when I tried submitting my first-ever piece of fiction to an outlet. I didn’t know how to format it, hadn’t really tried writing like that ever before, never tried researching a market before, or had any practice addressing editors – I just went for it. You know who the outlet was?
For the uninitiated – they’re big; at the very least much, much, much, MUCH bigger than a kid trying his first EVER tale had right to reach for. But they were cool, polite, and cordial when they dutifully rejected the piece I rushed to compile for their submission window.
But I thought that was how you did it. I thought you went for the big fish. Adjusting my approach (still incorrectly), I then thought it was about thoroughly researching a market, tooling a piece of fiction tailored to them specifically, and spending months finely polishing it for them before perfectly and carefully crafting the impeccable cover letter to whet their appetite for the fruits of your labor; like a sniper lining up for a half-mile bullseye: check the wind, curvature, your breathing, your trigger discipline, time it between beats of your heart.
Turns out, a better approach is a lot more like laying down on the trigger of an uzi. Spray and pray, til you’re empty, reload, rinse, repeat. Tenaciously.
There’s a publisher called DreamForge that’s pretty great, and on their site they have an essay that attempts to outline why a story submitted to them might be rejected. And the answer in a nutshell is thus: any of a million reasons.
It could be that they find it poorly written; could be too many typos; could be they didn’t understand it; could be they didn’t care for the expression of the stated genre; could be they find it doesn’t fit their project’s theme tightly enough; could be word count conflicts with their budget; or it could be that it’s well written, but the editor wasn’t quite in the mood the day they read yours; or they love your story about kickass ninja vampires fighting ogre assassins on the moon, but they just happened to read and accept another story in their stack about kickass ninja vampires fighting ogre assassins on the moon right before finding yours.
The point is that it’s sort of a lottery, if you’re an independent writer starting out. Making sure your work is well-written, cleanly done, strong in concept, and appropriate for the market you’re submitting it to are all the right ways to increase your chances, but in the end you’re still competing with an unknown amount of other writers, of unknown quality, against unknown standards and tastes – a gamble.
Captain Picard said it best:
This tortuously long preamble brings us to a few summers ago in 2018. I was working in an optics lab at the time, preparing to leave that job for a writing sabbatical. I was feeling burnt out, tired of my day-to-day, and wanted to embrace the daydreams I kept cooking up. The budget I wrote up figured I had about a year to do that before reality would come calling. (Reality would catch up way quicker than that, and I’d find myself caring for my ailing mother two weeks after leaving my job – but we’ve talked about that life-asteroid to death already.)
About a month before leaving my job, Mandy and I were at a friend’s birthday party. Also present was a young woman we’ll call Delilah. Before I say anything moving forward, I want it clearer than crystal that I’ve nothing but fondness, respect, and best wishes for her, for reasons we’ll lay out here and in great part for the lesson my encounters with her taught me.
Turned out, Delilah was also going into writing freelance at about the same time, or had started about a month or so before. She talked about how (I believe I’m getting this right) she was a housewife at the time, and wanted to pursue it while she had the time. She went to an event or workshop of some sort down in San Francisco, delivered a stand-up set she’d prepared, met an editor, and snagged a gig for a that outlet.
On the one hand, easy-peasy; two weeks into freelance writing and you’ve bagged a job and a contact. On the other, it takes guts and no lack of panache to do what she did.
So she shares this with us and while the group dissolves a little into its various chat circles, I overhear Mandy and Delilah talking. Mandy’s sharing that I had an intent to pursue something similar, and Delilah’s asking questions. I’d wandered away, but was told later than Delilah’s response was more or less: “Oh…that’s his plan? I wouldn’t, if I were him.”
Even though it was just birthday party hearsay, probably said off-hand, it was a little dismissive remark that stuck with me. It bit me with this sort of stinking moral superiority that would gnaw at me for months later. The first five months of my sabbatical were literally nothing but hardship and rejection; and every time, I would think of Delilah’s quick-won success and her “I wouldn’t if I were him,” remark.
And every time, I would close my eyes, tell myself to shut up, and get back to it. I didn’t have a network, hadn’t made contacts, was learning through trial and error, had a lot outside of writing work on my plate, but dammit I would make it work out.
Then, luck struck, and I had my first story picked up. Shortly thereafter, lightning struck twice and I had a second acceptance, which came with being an interview on the podcast where the story aired (as well as a follow-up appearance later to talk movies). And since, I have had three more fiction sales, some traction in fiction contests, and been fortunate enough to work for a few local papers and magazines. It’s been hard-won, organic, independent, and with large amounts of tenacity and dumb luck.
A year after that party, the birthday boy had another (as is usually the case with birthdays), and we bumped into Delilah again. We caught up around a little campfire circle and naturally were each asked about how well writing was going. Delilah recounted how it was going well, but [paraphrasing] “her editor had relocated to a different outlet and gone radio silent, so that was dead now and a bummer; and while she was going to produce a podcast with a partner, said partner was being a c*** and so hadn’t come to fruition yet.”
When the question came to me, the host of the party (birthday boy’s wife) did me one of the greatest compliments/blessings I’ve received in my life.
“And you were going to be a writer too, right?” came Delilah’s question. And the host interjected with, “He’s been published, in fact,” then motioned for me to explain.
Doing me that honor, saving me that modesty, and acknowledging that achievement all in one swoop has been, to date, one of the deftest moves in etiquette I’ve witnessed in person; and I was thrilled to be its subject.
I did my best to continue that modesty through my explanation, but I’m sure some pride leaked through. I give myself a pass, though, because the truth is I was proud of it, and especially in that moment I felt vindicated. The slow, steady, organic grind of failed attempt after failed attempt after failed attempt finally becoming a small success triumphing over – at least as was the way my mind viewed it – over the model of quick but fleeting satisfaction…felt great.
But in that was also a lesson. And the markets and guidelines I’ve seen all point to an average acceptance rate of somewhere in the neighborhood of 2-3%; but usually it can be more like 1%. That means, if you do everything right, you can hope for or expect one success for every one hundred attempts.
So, try one hundred times. And after that, try a hundred more. So on and so forth until you can begin to count your successes. And be okay with them being small, they’ll get bigger.
At least, this is what I tell myself. But I will say that the math checks out.
My plan was to join the California Writers’ Club after my third independent fiction sale, and while I still plan on it because I’m eager to see what opportunities that might afford, the struggle of the independent author has been one I’ve come to enjoy the fruits of.
Ah, I just remembered what kicked this all off, actually. The other day, I was looking on my body of work (which feels hilarious to say, given how tiny it is) and feeling unsatisfied where I used to feel proud. And so mentally running back through the journey of the past couple of years was a good chance to review, take stock, and realize the accomplishment it is; especially as any beginning writer would likely agree, five months is actually a startlingly turnaround for one’s first printing. So I recognize the element of luck in this experience.
In the end, the message doesn’t really change. Help or not, friends or not, network or not: keep swinging the axe, keep trying.
Did you ever hear about the three-legged dog that walked into the saloon?
He looks at the bartender and cocks his hat to the side. Bartender asks, “what can I do ya for?”
The three-legged dog answers, “I’m lookin’ fer the man what shot my paw.”
Yup, that was pretty dumb, or so says the numbers. When I was first told it, I literally threw my head back laughing and literally slapped my knee. Ever since, whenever I’ve retold it, though, doesn’t seem to resonate the same way with others.
But, ah, such is the fate of puns, no?
Been a bit of an absentee lately, BUT it’s only because of good news. Recently sold not one but TWO pieces of fiction, and as well have been doing some work for a few local papers and magazines (solicited, to boot!); all while trying to get this book done and manage…well, life.
Beyond that, not a whole lot of noteworthy occurrences to share…
Um. Sat at a cafe a little while ago. Got yelled at by a homeless man and watched a kid take a whizz on his mom’s car. Bold, too. Just right out there in the parking lot.
Do you remember in History class, or Social Studies, or whatever it was called where you went, and in the lessons you might be told, “People of this time thought ‘X’,” or “Members of this culture believed ‘Y’,” right?
I took a college course called ‘History of God,’ as well as a number of other religious studies curriculum, and one thing I will love my professor for forever was a distinction he drew: no matter what time period or culture you’re talking about, it’s not 100% true of all its members. Which is to say, it’s inaccurate to assume ALL people of a given time, given movement, or given culture can be attributed a given attitude or belief.
Many of us are familiar with the popular myths of the Egyptians, Greeks, Babylonians, Norse cultures, so on and so forth, but you can’t declare that those beliefs were held by all members of that time. Did many believe a stroke or seizure was a person being struck by an arrow of Apollo? Maybe, but were also many who heard that and thought, “Eh, I doubt that?” Yeah, totally. Were there Norse folk who thought the clouds in the sky were the brains of a frost giant? On record, yes. But might there have been those who saw the rain and quietly disputed that explanation? Of course.
Now, this is going to be a rough segue, but bear with me.
Was there a massive outcry following the finale of Game of Thrones, calling it garbage, full of ‘bad writing,’ and character abandonment? Yes. Are there also millions of us who acknowledge some of its flaws, enjoyed it massively regardless, and hold a lot of the outcry to be a bandwagon bit o’ bitching but just didn’t feel like shouting about that. Yes, God, and please remember that.
Was ‘The Last of Us’ a fantastic video game experience, whose sequel has fallen under fire with an enormous amount of controversy and outrage? Yes. Are there those of us who recognize the work, skill, creativity, and direction that went into it and are wondering why there’s so much hate? You bet your butt.
The sad thing is that the outrage is the louder voice, and so will be the one that’s heard and remembered. But, there’s an opportunity in that.
Imagining the future, where the archeologists and historians of tomorrow will look back on the records of today, they’ll see and know the hordes of angry fans, they’ll hear the desperate braying of upset followers, and recognize those things as the attitudes of the time…
But the astute among them will know there was another side of that time. A secret society of those of us who knew the true worth of those creations, whose job was to quietly safeguard the integrity of those arts, to hold them and keep them through the turmoil and the chaos until a time when they no longer need hide; and that they may fall into the hands of truly worthy, respectful recipients.
I literally stood by a window looking out at the sky while rehearsing that block. It brought me peace, breath, and probably an undue sense of importance; and I hope it can bring you the same.