Epic Dreams of Dirt (+ Announcement)

I eat a lot of hot sauce. I used to put it on everything and get the really spicy ones so that I could be that guy, but I’ve calmed it down a little in recent years. I also used to specifically eat something spicy right before bed, because I noticed doing so gave me really vivid, really strange and surreal dreams.

Now I’ve stopped doing that entirely, but I guess I conditioned my brain enough to think it’s alright to give me strange dreams most nights. One such was just the other night…

Oh! I should put here that I’ve been playing a lot of Deep Rock Galactic recently, and I only say that because it’ll soon become obvious the ways that game influenced the dream. (If you haven’t heard of it and you don’t feel like following the link, in short, it’s a game where you play as a space dwarf mining crystals and minerals out of a giant asteroid-planet-thing.)

Anyway, the other night…

Like most dreams, I don’t remember how I got to the start, but I knew I was being hunted by the Italian mafia. Somehow, at the beginning of the dream, that meant I GUESS that I was in a motel outside of Albuquerque, New Mexico while on the run from them. Of course, one of their hitmen finds me and I’m sure you can guess who it is.

That’s right, Danny Trejo.

So Danny Trejo shows up going full Machete on me, showering the motel in bullets while I run, duck, and dodge behind cover.

^In case you wondered, this is what “going full Machete” looks like.
It’s a fun movie.

Eventually, he runs out of ammo and hops in an old car, trying to run me down. Now my memory gets kind of spotty around this point in the story, but the end point is that I successfully kill him in self-defense. (I think I trick him into crashing the car, or something. Let’s just assume it was something clever.)

That dramatic scene winds up placing me in Witness Protection. I remember they handed me a special form to fill out for, like, my preferences of what kind of Witness Protection I would prefer, and in the special comments section I just wrote “No Italians, please.” Which is several shades of stupid, but made sense in the moment since I was on the run from the Italian mafia.

It doesn’t wind up working.

So Witness Protection places me in a sort of special boarding house that looks like an old Victorian manor out in New England. (Heh, I just noticed the dream keeps taking place in “New” places. New Mexico to New England. Weird.) The boarding house is run by a kindly old woman with red hair and she shows me to my room toward the back of the manor. My paranoia sets in, and on one of the first nights, I remove a couple panels from the floor and I start digging.

The logic at work is that I’m going to construct a series of tunnels to really live in, or at least have as a getaway in case the mob ever finds me. I think I distantly remember reading about or hearing about an either Roman or Chinese emperor who did the same thing with their palace, filling it with a hundred rooms and sleeping in a different one every night to confuse would-be assassins.

Which is basically what I did.

I dug a whole bunch of tunnels into the ground beneath the mansion, and I filled those tunnels with a bunch of dummy routes, dead ends, tunnels that looped back in on themselves. I dug enough dirt to last eleven lifetimes to make sure the mob would never find me.

Along the way, I met another resident of the house, a young girl named Alyssa, who found my series of tunnels and asked to help me dig more because she thought it was cool. At first I said no, wary of outsiders and not wanting to share my masterpiece with another, but ultimately relented.

I also found this awesome, green, furry mole-ferret creature while digging. I never really thought of a name for him, but he was adorable, helped me dig, and loved to snuggle while making this soft purring noise. He was great.

At this point, there’s a bit of a time skip, or a fast-forwarding. I met Alyssa, found my giant ferret creature, at one point we struck ground water and essentially dug out a massive underground grotto or lake. We brought in bamboo from the Overworld (just the regular world, but we’d become underground people) to build scaffolding and walking pathways around this body of water. It was a good time.

But nothing good lasts forever.

One day while I’m hanging out on the big wrap-around porch of the house, I see a car with tinted windows drive slowly by. The window rolls down and a bald man with a scar on his cheek stares me down for a moment, before rolling the window back up and driving away. (No idea why, but I name him Spencer.

My God. I’ve been found.

I have a discussion with the headmaster lady of the house, and she gives me a sort of “Ah, alas. I feared this day would come” sort of monologue, and says she’ll prep the house for battle – or something of the sort. Eventually, it falls to dusk, and a train of twelve cars pulls up in front of the place. Out of each one, a uniquely dressed, themed, and deadly hitman steps out with an intent to kill. They charge the house, and I kung-fu fight with about four or five of them around the house, killing or incapacitating them mightily before I begin to tire and worry for the worse. All around the house, the headmaster lady and other residents are doing their own righteous battle with these (apparently still supposed to be Italian mafia) hitmen.

I’m wounded, and the headmaster lady tells me to fall back, and that they have it from here. So I do, and retreat into my tunnel system. While down there, Alyssa finds me and tells me that our ferret isn’t doing so good, she thinks he’s sick. So I pick up the little guy, he purrs against my chest and neck while I carry him down one of the tunnels, across our underground lake (taking up the bamboo walkways behind us), and into the deepest tunnel that is my Sanctuary. For extra security, I lay a couple of satchel charges in the dirt (which I apparently have) and lie in wait with my ferret creature.

The End

I woke up at that point, but I assume that Spencer the Hitman followed my trail down the tunnels and would have fallen upon me and my ferret, but got blown up by my booby traps. That’s my head canon and I’m sticking to it.

Anyway, if you’ve stuck with it this far or just skipped down until you saw “The End”, either way: The News!

I’ve stopped announcing these sorts of things with any regularity, both because life is busy and because I’m not sure who’s listening with bated breath on this, my tiny, eensy weensy slice of the internet, but we’ve got another publication in the books! (lol Pun.)

Flame Tree Publishing is coming out with their Gothic Fantasy ‘Alternate History’ anthology early next year and are including a reprint of one of my first ever stories, “The Sixth-Gun Conspiracy Letters”, wherein we learn the tragic, twisted truth behind the cloak-and-dagger game which shadowed the American Civil War and the assassination of President Abraham Lincoln.

It’s an oldie, but a goodie, and I’m extra stoked about this one because Flame Tree is based out of London, UK, which means ya boi has gone international! And I think that’s worth a nod. -cheers- (<– the polite gesture at a dinner party, not a crowd erupting with applause)

Anyhoo, that’s all for now. Thanks for sticking around. Ciao, everybody.

Quick n’ Dirty Promo

Just like goodbyes at parties, I’m bad at these. So let’s be quick and sloppy about it.

We did it again! Got another couple of folks to say yes to the squiggles I write up!

Had a couple of publications this year, but these latest have definitely been the luckiest. Wrote a romp about some time traveling hijinks and someone said, “Hell yeah.” Then, wrote up a tale about knights and monsters and ACTUALLY convinced someone to say “Hell yeah!” to that too! lol Y’all, technically now I’m a bona fide sci-fi AND /high/ fantasy author now. Which is rad. Kade over at The Common Tongue Magazine is a wickedly sharp editor, and Jessica with JayHenge Publishing was one of the coolest to work and correspond with. Plus, the collections are dope and my contributions are a couple of my babies. (A COUPLE of them…I should have more news…like this…y’know…on the way. I been busy.)

PLUS, Common Tongue gave me a friggin’ Writer Page found here. I feel like a pirate ship that finally got its flag. So check out CTM’s Issue #3 and look out for my story, “The Bells of Kraeden,” here. And if you’re too busy or lazy to read, they honored me deeply by also adapting it into a podcast episode!

Lastly, go look’it Jessica’s “The Chorochronos Archives” collection with my piece, “30,000 B.C.” here.

With both and/or either, please feel encouraged to leave them a comment or some sort of review like this: “AhmyGodthiswassogoodbutdefinitelyEvan’swasthebestusemoreofhisstuffyeswooooow!”

Okay. <phew> As you were…

Keep Swinging the Axe

First things first: it bugs me to no end that often times spellcheck will give the little red squiggle to “axe” if you spell it with an ‘e’ at the end, but “ax” is perfectly fine even though “axe” is already perfectly fine.

Whatever.

That was stupid.

What’s up everybody?

I’m not sure what reminded me the other day of the following story, but I’m glad whatever it was did. Back in 2016 was when I tried submitting my first-ever piece of fiction to an outlet. I didn’t know how to format it, hadn’t really tried writing like that ever before, never tried researching a market before, or had any practice addressing editors – I just went for it. You know who the outlet was?

Tor.

For the uninitiated – they’re big; at the very least much, much, much, MUCH bigger than a kid trying his first EVER tale had right to reach for. But they were cool, polite, and cordial when they dutifully rejected the piece I rushed to compile for their submission window.

But I thought that was how you did it. I thought you went for the big fish. Adjusting my approach (still incorrectly), I then thought it was about thoroughly researching a market, tooling a piece of fiction tailored to them specifically, and spending months finely polishing it for them before perfectly and carefully crafting the impeccable cover letter to whet their appetite for the fruits of your labor; like a sniper lining up for a half-mile bullseye: check the wind, curvature, your breathing, your trigger discipline, time it between beats of your heart.

Turns out, a better approach is a lot more like laying down on the trigger of an uzi. Spray and pray, til you’re empty, reload, rinse, repeat. Tenaciously.

There’s a publisher called DreamForge that’s pretty great, and on their site they have an essay that attempts to outline why a story submitted to them might be rejected. And the answer in a nutshell is thus: any of a million reasons.

It could be that they find it poorly written; could be too many typos; could be they didn’t understand it; could be they didn’t care for the expression of the stated genre; could be they find it doesn’t fit their project’s theme tightly enough; could be word count conflicts with their budget; or it could be that it’s well written, but the editor wasn’t quite in the mood the day they read yours; or they love your story about kickass ninja vampires fighting ogre assassins on the moon, but they just happened to read and accept another story in their stack about kickass ninja vampires fighting ogre assassins on the moon right before finding yours.

The point is that it’s sort of a lottery, if you’re an independent writer starting out. Making sure your work is well-written, cleanly done, strong in concept, and appropriate for the market you’re submitting it to are all the right ways to increase your chances, but in the end you’re still competing with an unknown amount of other writers, of unknown quality, against unknown standards and tastes – a gamble.

Captain Picard said it best:

It is possible to commit no errors and still lose ... " ~ Captain ...

This tortuously long preamble brings us to a few summers ago in 2018. I was working in an optics lab at the time, preparing to leave that job for a writing sabbatical. I was feeling burnt out, tired of my day-to-day, and wanted to embrace the daydreams I kept cooking up. The budget I wrote up figured I had about a year to do that before reality would come calling. (Reality would catch up way quicker than that, and I’d find myself caring for my ailing mother two weeks after leaving my job – but we’ve talked about that life-asteroid to death already.)

About a month before leaving my job, Mandy and I were at a friend’s birthday party. Also present was a young woman we’ll call Delilah. Before I say anything moving forward, I want it clearer than crystal that I’ve nothing but fondness, respect, and best wishes for her, for reasons we’ll lay out here and in great part for the lesson my encounters with her taught me.

Turned out, Delilah was also going into writing freelance at about the same time, or had started about a month or so before. She talked about how (I believe I’m getting this right) she was a housewife at the time, and wanted to pursue it while she had the time. She went to an event or workshop of some sort down in San Francisco, delivered a stand-up set she’d prepared, met an editor, and snagged a gig for a that outlet.

On the one hand, easy-peasy; two weeks into freelance writing and you’ve bagged a job and a contact. On the other, it takes guts and no lack of panache to do what she did.

So she shares this with us and while the group dissolves a little into its various chat circles, I overhear Mandy and Delilah talking. Mandy’s sharing that I had an intent to pursue something similar, and Delilah’s asking questions. I’d wandered away, but was told later than Delilah’s response was more or less: “Oh…that’s his plan? I wouldn’t, if I were him.”

Even though it was just birthday party hearsay, probably said off-hand, it was a little dismissive remark that stuck with me. It bit me with this sort of stinking moral superiority that would gnaw at me for months later. The first five months of my sabbatical were literally nothing but hardship and rejection; and every time, I would think of Delilah’s quick-won success and her “I wouldn’t if I were him,” remark.

And every time, I would close my eyes, tell myself to shut up, and get back to it. I didn’t have a network, hadn’t made contacts, was learning through trial and error, had a lot outside of writing work on my plate, but dammit I would make it work out.

Then, luck struck, and I had my first story picked up. Shortly thereafter, lightning struck twice and I had a second acceptance, which came with being an interview on the podcast where the story aired (as well as a follow-up appearance later to talk movies). And since, I have had three more fiction sales, some traction in fiction contests, and been fortunate enough to work for a few local papers and magazines. It’s been hard-won, organic, independent, and with large amounts of tenacity and dumb luck.

A year after that party, the birthday boy had another (as is usually the case with birthdays), and we bumped into Delilah again. We caught up around a little campfire circle and naturally were each asked about how well writing was going. Delilah recounted how it was going well, but [paraphrasing] “her editor had relocated to a different outlet and gone radio silent, so that was dead now and a bummer; and while she was going to produce a podcast with a partner, said partner was being a c*** and so hadn’t come to fruition yet.”

When the question came to me, the host of the party (birthday boy’s wife) did me one of the greatest compliments/blessings I’ve received in my life.

“And you were going to be a writer too, right?” came Delilah’s question. And the host interjected with, “He’s been published, in fact,” then motioned for me to explain.

Doing me that honor, saving me that modesty, and acknowledging that achievement all in one swoop has been, to date, one of the deftest moves in etiquette I’ve witnessed in person; and I was thrilled to be its subject.

I did my best to continue that modesty through my explanation, but I’m sure some pride leaked through. I give myself a pass, though, because the truth is I was proud of it, and especially in that moment I felt vindicated. The slow, steady, organic grind of failed attempt after failed attempt after failed attempt finally becoming a small success triumphing over – at least as was the way my mind viewed it – over the model of quick but fleeting satisfaction…felt great.

But in that was also a lesson. And the markets and guidelines I’ve seen all point to an average acceptance rate of somewhere in the neighborhood of 2-3%; but usually it can be more like 1%. That means, if you do everything right, you can hope for or expect one success for every one hundred attempts.

So, try one hundred times. And after that, try a hundred more. So on and so forth until you can begin to count your successes. And be okay with them being small, they’ll get bigger.

At least, this is what I tell myself. But I will say that the math checks out.

My plan was to join the California Writers’ Club after my third independent fiction sale, and while I still plan on it because I’m eager to see what opportunities that might afford, the struggle of the independent author has been one I’ve come to enjoy the fruits of.

Ah, I just remembered what kicked this all off, actually. The other day, I was looking on my body of work (which feels hilarious to say, given how tiny it is) and feeling unsatisfied where I used to feel proud. And so mentally running back through the journey of the past couple of years was a good chance to review, take stock, and realize the accomplishment it is; especially as any beginning writer would likely agree, five months is actually a startlingly turnaround for one’s first printing. So I recognize the element of luck in this experience.

In the end, the message doesn’t really change. Help or not, friends or not, network or not: keep swinging the axe, keep trying.

Hasta.