Tag: literature

Dorian Gray is Awful…(but we might have something [else] in common)

When I first entered the adult world and started taking college classes, I went on a big reading binge of classic literary works because I was leaning into feeling smart and sophisticated. I’m not saying that that worked, but it was a good journey. I now know why ‘Frankenstein’ was terrifically tragic, how ‘Dracula’ was somehow both lamer and way cooler a tale than I’d thought it would be, and that Dorian Gray is a massive douche.

I’m serious. It’s a decade later, and despite the hundreds of stories I’ve taken in since then through the different mediums – books, movies, television, video games, etc – I haven’t found a character I vehemently despise with a greater fervor than I hold for Dorian Gray.

Now, first off, I recognize that it’s a little ridiculous, and I’ve cooled my jets some. Kurt Vonnegut has a great quote about hating fiction:

“Any reviewer who expresses rage and loathing for a novel is preposterous. He or she is like a person who has put on full armor and attacked a hot fudge sundae.”

Well for a while, I bathed my armored boots in the sugary blood of Oscar Wilde’s “The Picture of Dorian Gray,” for the simple reason that the protagonist is an utter shithead.

I rant about it now a lot less often than I used to, but I hold to the opinion that Dorian Gray sucks. That’s probably a good thing, though, since I think he’s supposed to be disliked. If you haven’t ever read or heard of the story, it essential goes that a young nobleman, Dorian Gray, has a portrait painted of him by his meek friend Basil. He soon discovers that the portrait, rather than he, will bear the marks of things that ought weigh heavily on the soul: stress lines in the face, silvered hair, wrinkles that come from a Liar’s Frown, etc. He struggles a bit with whether or not he’ll lead the kind of pure life that will render his portrait forever perfect and unblemished, or live wantonly since the picture will foot whatever ethical tab he runs up.

Spoiler, he opts for the latter option, like a total dick.

*RANT INCOMING*

(I’ll keep it short, but) What I can’t stand about him isn’t that he’s selfish, conceited, arrogant, smug, and manipulative, but that he whines, bitches, and is so spineless too. Whenever he’s in a position of power or leverage, he’s completely mad with whatever little power that may present him, but the moment the tables are turned even slightly, he moans, complains, begs, weeps, and mews. Then, if he gets his leverage back, it’s right back to being an insufferable ass-hat. Like, if you’re going to be a conceited, villainous asshole, at least be sure of yourself in that. At least stick to your damned guns. But to flip flop back and forth between villain and victim is SO gross, and I’m SO happy when he *spoiler* f__kin’ dies at the end.

I forgot where I was going with this, but- oh! Yeah, my car.

Right, trust me, it ties in.

I realized earlier today that my car, Phoebe, is kind of my own portrait. I took great care of her a few years ago. Got her regular washes, got her oil changed ahead of time, maintenance and check-up’s before things had a change to break, and she’s served me well for it.

Then, life got sort of topsy-turvy and difficult, I’ve really had to realign my financial priorities, and that meant Phoebe couldn’t get the same kind of treatment. At the end of the day, with everything I’ve been through and continue to work against, I try to keep my head up, shoulders back, eyes forward, and a bit of smile at the life I’ve got. Almost like you wouldn’t know things have been rough.

But my car looks like total ass now.

I’ve said from the beginning, that as my first car that I’ve had for over a decade now, I’m going to drive it until it dies. She’s in her twilight years, and BOY does she look it. But until lightning strikes her outright dead, I’m going to act as though she intends to roll on.

It’s just created a funny bit of imagery and comparison wherein it’s like I’ve endured some rough stuff, but maybe you wouldn’t know it, and meanwhile my car is bearing all the telltale signs of hardship instead of me.

And I think that’s worth a larf.

Have a good one, everybody.

Ciao.

Old Limits, New Heights – an update & news

Twenty-seven is a strange age.

You’re old enough now to have enough experience to “know better” and have gone through enough tribulations that you’ve come out the other side of some difficulty; but at the same time, still young enough to be referred to as “a kid in their 20’s.” In a lot of ways, it’s kind of having the best of both worlds: enough years under your belt to claim experience and authority in some situations, but just enough green to claim ignorance and get away with it most of the time.

It’s also tricky, because I want to introduce a story with “when I was a young man,” or “when I was younger,” they both feel a little disingenuous because I mean, like, five years ago.

…

So, when I was a young(er) rapscallion, I was delusional about my prowess in hand-to-hand combat. Like we discussed way back in “Fight Club: Fringe League,” I’m way more cognisant of those limits nowadays. I know that I don’t know the correct way to uncork a punch. I’m aware I don’t have a trained poise for rolling with or absorbing punches and kicks. I have some idea of how hard it is to control yourself or another human while in a wrestling scramble. But a few years ago, that wasn’t the case at all.

I argued with friends and coworkers, pretty vehemently mind you, that I could handle myself in a fight with a mountain lion. I was convinced that as the cat would leap at me, I could sidestep it, pop it in the mouth, and leave it dazed and confused on the dirt. I had a whole technique that was 100% foolproof (emphasis on “fool,” here) wherein my thumbs would hook the corners of its mouth and my forearms would block the claws just below the paw, rendering me completely safe from its assault.

I realized later that, as a cat in that situation, it would still have hind legs with sharp-ass claws that it would use to deftly carve open my soft-ass torso, disemboweling me in maybe a few seconds.

And while I’m ranting about this, another thing. I saw a YouTube video some years ago (I tried finding it, but to no avail – so allow me to paint the scene) featuring a zoo enclosure somewhere in southeast Asia, I believe. Unlike the enclosures we have here in the U.S., it’s the massive open expanse, and the feed isn’t a slab of steak through a door, but a live feeding. Meaning, they dump a live cow or goat in the middle of this field, peel out, and the – in this case – tigers jump all over it, giving them some semblance of a hunt.

It was in this particular video that they were fed in this way a single large cow who, after being dropped in this field, naturally tried to make a break for it. To humans, do you know how f***ing strong a cow is? A cow could level an average person without even meaning to. Well, four tigers swarm this ole gal and just one of them brings her to the ground with minimal – and I mean MINIMAL – effort. Three just start going to town, tearing into the soft bits, and the cow is…well, being loud about it. The fourth tiger is calmly watching its siblings fill their tummies when it decides to saunter over, grip the cow’s neck with its teeth, and snap it like a cracker.

Y’all, it mercy-killed that bovine with the same energy I use to take a sip of coffee. And that monster was the kind of thing I thought I could “K.O. if I had the chance, bro.”

Disgusting.

Anyway, another book with my name on it came out this month!
Bards & Sages Publishing has their “Society of Misfit Stories Presents…” vol.III issue out now on Amazon for those looking for a paperback, and for the e-readers among us, Smashwords is doing their thing and offering a 20% off discount through the end of the year if you use the code PC74V at checkout.
Look for my contribution to the collection, “High Noon,” which follows a Canadian kid who tries to hike the Pacific Crest Trail but gets…caught up as he takes on a mysterious guest.
And that’s kind of sweet.

Til next time, y’all.

Path of Paine

Wow, hi guys!

Can I lead up at the top that I appreciate you? Whoever you are, though I don’t know your name, your voice, your favorite food, or whether you prefer high-five’s or fist-bumps – I think you’re pretty great.

Out in California, right now we’re all collectively preparing for fire season. Mostly that means expecting power outages, preparing (at least mentally) go-bags we can quickly pack or grab in the event of an evacuation, and taking stock of what things are important enough to warrant inventory space and which might need to be committed to flames (worse case scenario, obviously).

Most of us have an idea of what we’d bring, and what that does is highlight what matters to us. It also usually highlights how many things of ours are…just things. And when that happens, it leads to a deeper appreciation for what we have. This could lead into a never-ending rant about how Thanksgiving is my favorite holiday, and how I think it suffers the incredible irony of being severely underappreciated whilst getting crushed under the stampeding boots of Christmas shoppers- BUT we’ll leave that for another day.

In a largely roundabout way, what I mean to center on is that it’s a common thing for most go-bags to include a small stack of a person’s favorite books. Now, while fiction is my first love, and my treasured collection of Witcher novels would need to be pried out of my cold, dead hands, another that would need to come with me is Thomas Paine’s “Age of Reason.”

Enormously controversial in its day, I’m sure it could still be seen that way nowadays. In short, Paine describes it simply as his thoughts on religion. No wonder why then, in the mid-eighteenth century, the book landed him in some pretty hot water (and, actually, totally in jail). The second half of the book was written from prison, and it’s essentially his dissection of the Bible and the reasons why, in his view, it’s complete cockamamie nonsense.

I don’t love it for its second half. I love it for the first half.

The first sixty-eight pages (of my edition, anyway) are Paine outlining his own personal form of Deism – deism being a viewpoint that sees the universe as having a supreme, creating intelligence, but one that is separate from and does not intervene in the material world (Creation).

And while I want to, I’m not going to quote anything here – because I insist you read it yourself (found easily enough as a pdf right here —> Here!); and if you do, scroll down to pages thirty-three and thirty-four to get a taste of the root of his outlook.

In brief, he doesn’t see God necessarily as being a big bald-headed man in the clouds with a big floofy beard. Whatever name you want to give the force greater than understanding, more universal and common but as mysterious as consciousness itself, doesn’t matter so much.

But what is important is that the worship is in seeing. It’s in listening. In feeling. In smelling. In tasting. Taking in the world around us, trying to comprehend it, but above that – appreciating it.

Not to get too ‘woo-woo’ on us, but do you ever take a moment to recognize that you exist?

Just the fact that you, the awareness behind the eyes, inside the body, and behind the thoughts of whoever you are – are real. For no discernible point or purpose, from a mysterious some-say-unknowable origin, as a cosmic phenomenon…you exist. AND you’re able to contemplate that fact. Cogito, ergo sum, after all.

Worship is in appreciating what’s in front of you. What’s in you. What’s happened, or all the unknowable things that will happen. All of the heart-breakingly beautiful shapes and creatures on the planet, or those things our astronomers have shown us out in the cosmos.

It’s such a warping thought to know it’s so large that to even try comprehending the full breadth of it is unimaginable from the start.

Anyway, I’m feeling lost in the weeds now. We’re FULL rant. But…gah, things to think about right?

TL;DR – I appreciate you, things are awesome, good to think on that sometimes, woo-woo.

See you guys next time.

“Toss a coin to yer Witcher!”

(Hey-o. Little re-post here, for those that missed the action.)

If the title reeled you in, there’s a 50% chance that we’re kin – in the same tribe of mindset, reverence for the world of the Continent, Northern Kingdoms, and Nilfgaardian Empire, and someone with the time to read a seven-book series (eight, if you also went through Season of Storms, but that’s more for funsies anyway) not affiliated with a magical boy named after a fuzzy plant-keeper.

That said, that means there’s also a 50% chance that you’re going to stop reading after the next two sentences, because you’ve had enough “the books were better blah blah bibbity blah” talk in your life. And that’s okay.

But I’m finally finding myself on the other side of that line.

For all the ignorance this statement may thickly paint me with: I made it through Harry Potter, the Hunger Games, Game of Thrones, and Lord of the Rings all on the movies or episodes alone. I, like many of you (probably) endured the same, “Ah, but the books were better!” talk, and like many of you (probably; I include you so I don’t die on this hill totally alone), gave it the same, “Ah, let it go! They did what they had to for an adaptation!”

But…this time, I can’t.

I played The Witcher 3: The Wild Hunt (twice, actually; 100% completion both times, and rp-walked the whole time like some sicko) when it exploded into a worldwide phenomenon, heard it was a series of books, and voraciously tore through them twice. Two collections of short stories, a standalone novel, and a saga of five more. Their spines are lovingly bent, pages affectionately coffee-stained. And in the case of a house fire, they’re on my short list of “will suffer major burns to retrieve” possessions.

So when Netflix announced a Witcher television series, I was cautiously optimistic suuuuper guarded. And when it came out and everybody started raving about how it was the greatest thing since soy sauce on mashed potatoes (not a widely popular thing, but a friend of mine turned me onto it eight years ago, and I’ve NEVER looked back; gravy can suck it on a 8-hour shift – soy sauce is where it’s at), I was worried.

What if it’s nothing like the books, and so everyone’s falling in love with a false prophet?

What if, worse, it takes direct inspiration and then turns it, further lying to the people??

What??? Andrezej Sapkowski saw the first two episodes and LOVED it? But he a CD Projekt Red had such issues. What could that mean???

So I watched the first episode, and I’ve never been more distracted in my life. Remember way back when we went over the Art of Being an Audience? Well, I sure-as-shit did not practice what I preached. But, it’s not a live performance, so I give myself some leeway.

The entire time, I wasn’t in the story, but floating above it. Watching an adaptation of a story I know so intimately (as much as is humanly possible, given how complex and long it is), every scene I was just distracted by being able to see the scissor marks and tape-job that they’d done with the original story.

For the uninitiated, the world of the Witcher is shared through two collections of short stories that serve both to offer little one-off, character-building adventures as well as do some world-building and establish canonical history for the groundwork/foundation of the five novels, which tell the story.

And so, knowing that, I couldn’t help but fixate on every stitch I saw on what was essentially The Blood of Elves (the first book) interlaced with stories out of The Last Wish (the first the short story collections), plus the new characters the show fabricated all on its own.

That, and – without even getting to the disservice done to the dryads of Brokilon – the stories they did take from The Last Wish were super diluted compared to their literary counterparts. Stregobor’s reveal had more impact than just turning the townspeople on a mutant. The adventure in Dol Blathanna hinted at the elves’ history with humans in a much shallower way than original tale. And Pavetta and Duny’s wedding ceremony was super turned into a comedy of coincidences with a forced fight scene rather than a cunning orchestration devised by Calanthe. Don’t like Dara, don’t like what they did with Foltest, and don’t know what-the-fuck was up with that psycho-doppler “we like children best” ass-hat. Aaaaaaaaaugh-

Phew.

Now…that’s enough of The Bad. We’ll say that the Dryads of Brokilon stuff was The Ugly all unto themselves. But, The Good…?

Dude, even in this super distracted first viewing of the season, even I couldn’t help but love the music. That, they nailed without question. Plus, I loved coming in on the joke that was all the buzz surrounding “Toss a coin to yer Witcher!”

For all the shit I could scrounge up for the Blavikin story, that fight scene made my nipples hard.

And for the wedding stuff with Pavetta, for the crap I could give that part of the adaptation, that fight also hardened these- okay, enough with nipples. It was good. Very good.

Some of the references were taken straight off the page. Like when Geralt’s fist-fighting with Torque in the field, that whole “I’m a sylvan! | You’re a dick!” conversation is basically verbatim, and I love it!

Also, the show captures the sense of humor found in the books and games with unreal accuracy. It’s that dark humor, sort of dry-and-sardonic flavor of giggles that serve to remind you that, while it’s telling a bit of a gritty/gory tale, we’re here to have fun. The humor is the wink to let you know that we’re enjoying this together and to not be too serious with it.

I wanted a more faithful recreation of Villentretenmerth, but every second he was on screen being a telepathic golden dragon was a goddamn treasure.

While they could have done better with the Foltest storyline, that striga was so phenomenally well-made and deliiiiciously creepy! Oh. My. God.

And, not least of all by any means, Henry Cavill is…he’s just…he’s such a darling. I heard from friends and saw in interviews that he played the games, devoured the books, and was a super-fan in his own right, and Jesus Christ does that ever show in his performance. He captures Geralt’s angsty curmudgeon attitude so well, especially since he himself is such a charismatic and seemingly-cheerful man. He plays the annoyance true to character, and has perfect comedic timing whenever he delivers his classic:

*sigh*
“…fuck.”

One of the best services my experience was done with regards to the show was actually a comment by my buddy Chris. He said that it has the feel of a passion-project. Sort of like one of those old Sci-Fi channel productions that didn’t have the biggest budget, but made up for it with heart and authenticity.

That…was absolutely true. And it’s what carried me through seeing it the first time. Because whenever I got distracted by a “What the-?”, “Who the fu-?”, or “Why the fu-?” question when the show deviated from or adapted the lore, that un-quantifiable feeling kept bringing me back to it. I kept feeling like I was watching a production made by and starring people who were as big of fans of the original works as I was – and THAT made me feel like we were all in it together.

So, I played my part as an appreciative viewer.

‘Kay. That’s not entirely true. It took about six total hours of raving conversations with friends and now an overly-long, ranty, raving blog post to get it out of my system.

Changes have to be made to suit the medium. Liberties have to be taken. Taken straight as it is from the page, the show either wouldn’t work, or would be 1,000,000,000 hours long and cost the GDP of Canada (1.653 trillion USD as of 2017, for those wondering). Eventually, I re-watched the first episode.

The verdict? How had the opinion changed with a less distracted and more forgiving, compromising Evan…?

Well, I cried twice in tender joy, so I guess we could call that a good thing.

All in all, if the show brings a wider audience to appreciate the world so many of us have already come to love, the better.

Also, word on the street is that Sapkowski and CD Projekt Red have kissed and made up, so we’ll call that our story book happy ending. And if the show was in any way a part of that, all the more reason to love it.

Live. Love. Accept change. All rather than being an obstinate butthole about it like I was.

Hasta, y’all.

Oh Valley o’ Plenty! OooOOOOooh!

If the title reeled you in, there’s a 50% chance that we’re kin – in the same tribe of mindset, reverence for the world of the Continent, Northern Kingdoms, and Nilfgaardian Empire, and someone with the time to read a seven-book series (eight, if you also went through Season of Storms, but that’s more for funsies anyway) not affiliated with a magical boy named after a fuzzy plant-keeper.

That said, that means there’s also a 50% chance that you’re going to stop reading after the next two sentences, because you’ve had enough “the books were better blah blah bibbity blah” talk in your life. And that’s okay.

But I’m finally finding myself on the other side of that line.

For all the ignorance this statement may thickly paint me with: I made it through Harry Potter, the Hunger Games, Game of Thrones, and Lord of the Rings all on the movies or episodes alone. I, like many of you (probably) endured the same, “Ah, but the books were better!” talk, and like many of you (probably; I include you so I don’t die on this hill totally alone), gave it the same, “Ah, let it go! They did what they had to for an adaptation!”

But…this time, I can’t.

I played The Witcher 3: The Wild Hunt (twice, actually; 100% completion both times, and rp-walked the whole time like some sicko) when it exploded into a worldwide phenomenon, heard it was a series of books, and voraciously tore through them twice. Two collections of short stories, a standalone novel, and a saga of five more. Their spines are lovingly bent, pages affectionately coffee-stained. And in the case of a house fire, they’re on my short list of “will suffer major burns to retrieve” possessions.

So when Netflix announced a Witcher television series, I was cautiously optimistic suuuuper guarded. And when it came out and everybody started raving about how it was the greatest thing since soy sauce on mashed potatoes (not a widely popular thing, but a friend of mine turned me onto it eight years ago, and I’ve NEVER looked back; gravy can suck it on a 8-hour shift – soy sauce is where it’s at), I was worried.

What if it’s nothing like the books, and so everyone’s falling in love with a false prophet?

What if, worse, it takes direct inspiration and then turns it, further lying to the people??

What??? Andrezej Sapkowski saw the first two episodes and LOVED it? But he a CD Projekt Red had such issues. What could that mean???

So I watched the first episode, and I’ve never been more distracted in my life. Remember way back when we went over the Art of Being an Audience? Well, I sure-as-shit did not practice what I preached. But, it’s not a live performance, so I give myself some leeway.

The entire time, I wasn’t in the story, but floating above it. Watching an adaptation of a story I know so intimately (as much as is humanly possible, given how complex and long it is), every scene I was just distracted by being able to see the scissor marks and tape-job that they’d done with the original story.

For the uninitiated, the world of the Witcher is shared through two collections of short stories that serve both to offer little one-off, character-building adventures as well as do some world-building and establish canonical history for the groundwork/foundation of the five novels, which tell the story.

And so, knowing that, I couldn’t help but fixate on every stitch I saw on what was essentially The Blood of Elves (the first book) interlaced with stories out of The Last Wish (the first the short story collections), plus the new characters the show fabricated all on its own.

That, and – without even getting to the disservice done to the dryads of Brokilon – the stories they did take from The Last Wish were super diluted compared to their literary counterparts. Stregobor’s reveal had more impact than just turning the townspeople on a mutant. The adventure in Dol Blathanna hinted at the elves’ history with humans in a much shallower way than original tale. And Pavetta and Duny’s wedding ceremony was super turned into a comedy of coincidences with a forced fight scene rather than a cunning orchestration devised by Calanthe. Don’t like Dara, don’t like what they did with Foltest, and don’t know what-the-fuck was up with that psycho-doppler “we like children best” ass-hat. Aaaaaaaaaugh-

Phew.

Now…that’s enough of The Bad. We’ll say that the Dryads of Brokilon stuff was The Ugly all unto themselves. But, The Good…?

Dude, even in this super distracted first viewing of the season, even I couldn’t help but love the music. That, they nailed without question. Plus, I loved coming in on the joke that was all the buzz surrounding “Toss a coin to yer Witcher!”

For all the shit I could scrounge up for the Blavikin story, that fight scene made my nipples hard.

And for the wedding stuff with Pavetta, for the crap I could give that part of the adaptation, that fight also hardened these- okay, enough with nipples. It was good. Very good.

Some of the references were taken straight off the page. Like when Geralt’s fist-fighting with Torque in the field, that whole “I’m a sylvan! | You’re a dick!” conversation is basically verbatim, and I love it!

Also, the show captures the sense of humor found in the books and games with unreal accuracy. It’s that dark humor, sort of dry-and-sardonic flavor of giggles that serve to remind you that, while it’s telling a bit of a gritty/gory tale, we’re here to have fun. The humor is the wink to let you know that we’re enjoying this together and to not be too serious with it.

I wanted a more faithful recreation of Villentretenmerth, but every second he was on screen being a telepathic golden dragon was a goddamn treasure.

While they could have done better with the Foltest storyline, that striga was so phenomenally well-made and deliiiiciously creepy! Oh. My. God.

And, not least of all by any means, Henry Cavill is…he’s just…he’s such a darling. I heard from friends and saw in interviews that he played the games, devoured the books, and was a super-fan in his own right, and Jesus Christ does that ever show in his performance. He captures Geralt’s angsty curmudgeon attitude so well, especially since he himself is such a charismatic and seemingly-cheerful man. He plays the annoyance true to character, and has perfect comedic timing whenever he delivers his classic:

*sigh*
“…fuck.”

One of the best services my experience was done with regards to the show was actually a comment by my buddy Chris. He said that it has the feel of a passion-project. Sort of like one of those old Sci-Fi channel productions that didn’t have the biggest budget, but made up for it with heart and authenticity.

That…was absolutely true. And it’s what carried me through seeing it the first time. Because whenever I got distracted by a “What the-?”, “Who the fu-?”, or “Why the fu-?” question when the show deviated from or adapted the lore, that un-quantifiable feeling kept bringing me back to it. I kept feeling like I was watching a production made by and starring people who were as big of fans of the original works as I was – and THAT made me feel like we were all in it together.

So, I played my part as an appreciative viewer.

‘Kay. That’s not entirely true. It took about six total hours of raving conversations with friends and now an overly-long, ranty, raving blog post to get it out of my system.

Changes have to be made to suit the medium. Liberties have to be taken. Taken straight as it is from the page, the show either wouldn’t work, or would be 1,000,000,000 hours long and cost the GDP of Canada (1.653 trillion USD as of 2017, for those wondering). Eventually, I re-watched the first episode.

The verdict? How had the opinion changed with a less distracted and more forgiving, compromising Evan…?

Well, I cried twice in tender joy, so I guess we could call that a good thing.

All in all, if the show brings a wider audience to appreciate the world so many of us have already come to love, the better.

Also, word on the street is that Sapkowski and CD Projekt Red have kissed and made up, so we’ll call that our story book happy ending. And if the show was in any way a part of that, all the more reason to love it.

Live. Love. Accept change. All rather than being an obstinate butthole about it like I was.

Hasta, y’all.