A Jack of All Trades Mindset

I enjoy a lot of hobbies, and sometimes that can feel a little like that means I’m not good at anything. I took up cooking recently because my wife and I were gifted a cast iron skillet that I fell in love with. I started by getting a couple of cookbooks, trying out different recipes, then going off-book and coming up with my own, now slightly-informed concoctions. And it’s been going well. I know more herbs and techniques now than ever before in my life, and I love the creative process of it all. Not everything I churn out is menu-worthy, but some stuff is.

And as with any activity, trade, or artform, there’s always more to learn, and there’s more going on under the hood than appears on the surface. That’s true when you learn anything, and it’s part of what can make everything fascinating. Once you realize everything’s that way – there’s a starting point, a process, progress, and development – anything new you try is at the same time more daunting and more accessible than it was at first glance.

It was that way with rock climbing and running, when I did those back in the day; I’m a big Magic: the Gathering player and it was that way learning the in’s and out’s of the game; same way, albeit simpler, for my recent backgammon obsession; similar to learning how to bend notes and operate your tongue playing the harmonica; and it was the same when learning how to shoot a bow back in the day, learning how to stand, how to use your shoulders and set your hips, how to release without plucking, how to breathe, etc.

Frankly, I’m kinda good at a number of things, because I’ve pursued them with interest. But the downside there is feeling like I also kinda suck at everything, since in each of those avenues mentioned above, there are loads of people who are better at them than me.

I’m better now at cooking than I was a few months ago, and it’s been real nice to impress friends and family with my newly acquired know-how, but next to any truly savvy cook, I’m a total chump. I’m much better than your average person walking the street at using a bow and arrow or playing Magic, but would be a slack-fingered halfwit on the line or at the table next to anyone who trains and/or goes to tournaments. I earned my first ever backgammon against a good friend the other week, but your average club member would probably use me to mop their floors.

But – and this is a big ol’ nice jiggly “but” – being the best at your hobbies shouldn’t be the point.

Kurt Vonnegut had a good story once about being sent a letter from a fan, and while I’m foggy on the details, I do remember the advice he had for said fan: Go home and write a poem. Make it the worst, most stupid and dumb-sounding poem that’s ever existed if you have to, then rip it up into tiny pieces and scatter them. The point isn’t in having the poem to show off, but in having written it. Art isn’t supposed to be done for a sale (funnily enough being said at that point by a profoundly successful professional author – an irony he himself points out). The whole point of art is to do it and enrich yourself by doing it. So write a shitty poem, sing a song that sucks, make a clay pot that’s ugly as sin – just do it, though.

I’ve raved before about how great a lesson the Pixar movie Inside Out had to give out, and up there next to it is the movie Soul. If you haven’t seen it yet, skip to the next paragraph, starting…now, but in essence the lesson of that movie is that a single-minded pursuit is the best way to miss out on life. The main character is so wrapped up in his romantic pursuit of being a jazz musician, he not only misses out on the joys of his daily life and he’s shocked to see the realities of that life don’t fit his ideal once he becomes one. It takes a cartoon cat to show him that life is about the small, loveable mundanities, the variety. No one slacks him for having a dream, it’s just that there’s more to life than that.

Now, there is a certain nobility to giving up a varied life experience in order to power-level one particular skill, to eschew other interests and pleasures in pursuit of mastery of one specialized thing. The star athlete that devotes every waking thought and action toward championship of their sport, the craftsman that locks themselves away in pursuit of perfection of their art, the businessperson that is single-mindedly focused on whatever they heck they’re doing – there is a certain degree of honor due to that lifestyle. But I’ve been stuck with the following quote ever since I came across it, spoken by Lazarus Long in “Time Enough for Love” by Robert Heinlein: “A human being should be able to change a diaper, plan an invasion, butcher a hog, conn a ship, design a building, write a sonnet, balance accounts, build a wall, set a bone, comfort the dying, take orders, give orders, cooperate, act alone, solve equations, analyze a new problem, pitch manure, program a computer, cook a tasty meal, fight efficiently, die gallantly. Specialization is for insects.”

So in conclusion, does a part of me lament not being the best at whatever I set myself to? Yes, a little bit. Does the rest of think that’s a pretty stupid thought? Absolutely. I think it’s kind of awesome to celebrate the talents, displays of skill, and ingenuity of our fellow peoples. We, individually, can’t do everything, we never will, and it’s a load off to realize that. Should we strive to be good at what we do? Sure, in the name of accomplishment and enjoying whatever thing is in question, but not to the detriment of that enjoyment.

Shoes for Little Sap

by Evan A Davis

It’s cool knowing a little bit about a lot. 10/10, would recommend.

ALSO! If you haven’t heard, got another story out there, this time courtesy of Abyss & Apex Magazine. So check them out and tell them how much you really like “Shoes for Little Sap” by that Evan guy.

Our Daily Bread (+ News)

“Quickly, help me with him!” shouted the first. “It’s the only way he can be saved.”

The second solemnly shook his head. “You know, if we do this,” he said gravely, “he will never be the same.”

“If we don’t, he will die! He’s already begun to turn, before long he’ll fall apart entirely. I’m not going to leave him here to rot!”

The first searched his feelings for a moment, before taking a deep breath and relenting. Together, they lifted their beloved elder and carried him to the steps of the Great Door, and upon its opening, felt the wintry breath of the beyond.

“Lo, there do I see my father,” spoke the second. “Lo, there do I see my mother, my sisters and my brothers. Lo, there do I see the line of my people back to the beginning of The Journey.” He began to sob, pain wrestling with the words. “Lo, they do call to me, and bid me take my place among them.” He placed a hand on their elder, snowfall already burying their feet.

“Rest well, brother,” he said. “Wait for me, beyond the bread.”

“Beyond the bread,” echoed the first.

Then, with heavy hearts, the two bananas closed the door to the freezer, and retook their place in the fruit bowl on the kitchen countertop.

[THE EXPLANATION]

So, I thought I was hilarious when I first scribbled this one out. And to be fair, I do still chuckle when I read it back to myself. I’ve shown it to a few friends and get nothing but a raised eyebrow and a “Huh…?” back. If it didn’t come across, it’s a couple of young bananas taking an older banana that’s started to spot and turn brown up to the freezer, where it later has a chance of being made into banana bread – which, if my wife has taught me anything, is the promised fate of all bananas that wind up in the freezer.

I’d also just watched The 13^th Warrior, which is likely where the Lo speech came from. If you got it and enjoyed it, freaking right on! Thank you for the validation. If not, I mean, I get it, and thank you anyway.

Lastly, if you haven’t heard or don’t remember from last time, I have a story coming out! Yeehaw’s and Woohoo’s all around. The lovely little tale this time is called “Shoes for Little Sap”, and it’s coming out with Abyss & Apex Magazine on Monday (4/1/24), so keep a look out.

Shoes for Little Sap

by Evan A Davis

Writing is just a Gambler’s Fallacy (+ News)

I’m gonna do one of those things I dislike, which is writing about writing. It always feels…I don’t know, almost masturbatory in a way, even if it’s self-deprecating. Like in movies or shows, or any of Stephen King’s short fiction where the protagonist is a writer, it strikes me as so obvious that I’m just consuming somebody else’s self-insert fantasy.

Which, I mean, what else am I subjecting your potential eyeballs to with this rant, really?

My point is that rejection letters are a part of this game. They go along with that saying of how success is 1% reward and 99% work that others don’t see. Speaking of 1%, actually, a lot of places I submit work to have an average acceptance rate of 1% or less. I take that to mean that I can expect 99 rejections for every pickup I get, or to put it another way, I have to try 100 times for each success I can expect. Now, I’ve beaten the odds on that a fair bit, but rejections start to get a little brutal when they pile up without a win somewhere in the mix.

But there are things that keep me at the table.

Like when a rejection is personalized. Most are form letters, templates, fine. But when one is personalized to say “Hey Evan, I liked your story. Here’s what it did well, here’s what missed, and we almost accepted it, but have to pass this time. I know it would have been a good pay day with great distribution and you were this close, but nah. Better luck next time. Kisses.”

Boof. Ouch. I think back to Loki’s words in the first Avengers movie, talking to Nick Fury: “It burns you, doesn’t it? To have come so close, but then be reminded of what real power is?” I don’t know what “real power” is in this analogy, but shit, yes, ouch.

That said, my brain can’t help but focus on the huge other side to all that: So…you’re sayin’ there’s a chance?

The truth is that there are a million reasons why work can get rejected. Loosely paraphrasing an essay I read from an outlet, Dream Forge, on the subject: Your story could have been funny and a good fit, but the editor who read it just didn’t feel like funny that day. Could have been the slush reader who happened across your story in the pile just went through a break up and took it out on you. Your story about kickass ninja vampires on the moon could actually be a perfect fit, but it just so happened that the story just before yours on the stack was also about kickass ninja vampires on the moon, and they accepted that one because they saw it first.

So submitting fiction is a lot like playing the lottery, if you don’t have an agent or a hook-up (and maybe even then, I don’t know). And knowing that I got super close to a win makes it feel like I’m about to, you know, just like the logic that the steretypical gambler that uses to lose their house at a blackjack table.

And there’s also the rush to consider. Either when an acceptance comes through, or even just when a new prospect or idea surfaces. I get a lot of my news about available submission windows through newsletter services like Freedom With Writing and Authors Publish, and most times when I send out a bevvy of submissions, it’s like sending a bunch of soldiers out on a suicide mission. I know most of those aren’t coming back.

But you have to try.

And when a fresh wave of new submission opportunities pops up in my email, scanning through them to look for anything promising…ooo, the rush of potential is what keeps me addicted to trying. And in the background, I try to always have something cooking, some new grist for the mill.

And sometimes those come through.

My story, “Shoes for Little Sap” is coming out with Abyss & Apex Magazine on the 1^st. It’s cozy, quick, and has a special place with me, both being a former NYC Midnight piece of mine and something I read to my mom when she was in hospital some years back and got her to smile. (I remember thinking then and there that the story had served its purpose, and I’d be okay if it never again saw the light of day after that. Of course, pretty thrilled to have it be published, but still, you get my meaning.) So yeah, check it out! I’ll be bugging folks about it on here more between now and then, but mark your calendar anyway.

The Challenger (A Napkin Note)

Zzzit’ck climbed the precipice until he stood at the ziggurat’s peak, and there he beheld Her.

“I have come, Titaness!” he bellowed. “Another challenger to bask in your glory and one who will defeat you! Many have fallen where I now stand, and I have taken the mantle of their number, their valor, and their memory. Now come, Great Lady, face me and reckon!”

And lo did the goddess, fierce and unknowable, strike down the challenger with unconquerable fury.

“Ugh, God,” Sarah grunted.
“Hmm?” grunted her husband.
“Every night I find, like, a single ant on my nightstand and I’m getting sick of it. Can you pick up more traps from work tomorrow?”
“Hmm,” he grunted again.

END

Fiction isn’t (Just) Nonsense

We’ve all had those times after a conversation with someone. You know the ones I’m talking about. The “Oo, I should have said this” times. And of course, then, we replay the conversation in our heads but this time it goes in such a way that we’re a badass with all the right things to say.

The other thing about those moments is that they can stick with you for years down the road.

I was having a conversation in the break room with my boss years ago, we’ll call him Mike, and he’d heard about my (at the time) upcoming sabbatical. I never knew him all too personally, but my read on him was that he was a very left-brain sort of guy: math, numbers, engineering, logistics, factors, etc. He knew that I was trying to become a fiction writer and I think that he was just trying to find a way to relate, even if that meant communicating a lack of relation.

“I tried reading a bit of fiction before,” he laughed. “But once I was done, I was like, ‘What was the point of that?’ I just have all this useless information now.”

I’m loosely quoting him there, but the words I’m sure about are the ones of him referring to fiction as “useless information”. And again, I’m pretty sure he meant it kind-heartedly and jokingly, but whoa, bub, word choice. In the moment, I just laughed a bit awkwardly and agreed because I was twenty-five, not sure of what the heck I was doing (still not), and talking to the CEO of the company about a pursuit he just deigned “useless”.

Since then, I’ve found myself in odd moments here or there having that conversation again in my head and justifying the value of fiction to him. The first quote that came to mind to neatly and concisely encapsulate the sentiment I wish I’d had the presence of mind to communicate in the moment is one from Neil Gaiman:

“Fiction gives us empathy: it puts us inside the minds of other people and gives us the gifts of seeing the world through their eyes. Fiction is a lie that tells us true things, over and over.”

The ability to relate a situation in your life to another you know of, whether real or fantastical as found in fiction, that skill of being able to draw patterns and associations between those circumstances and draw wisdom, advice, inspiration, or answers from them is valuable. Characters found in novels or movies are just constructs in our own minds, but the beautiful part is that by their nature we forget about that fact. Those characters, for all intents and purposes, are people with real experiences that we can choose to relate to and learn from – if you just freakin’ choose to.

Don’t believe me? While thinking up this little piece you’re reading right now, I jotted down two names that, in very real, substantial, earth-changing ways have historically demonstrated the value of storytelling.

Jesus and Disney.

One can be a devoted church-goer and readily tell you of the impact that a powerfully delivered sermon had on their life, or be decidedly atheist and still see Christianity’s undeniable impact on world history and society today. And if money is the measure by which you choose to estimate success, Disney Enterprises–a massive corporation built off the back of selling fictional stories–could buy the moon, half of Western Europe, every truffle to come out of the earth from now until the collapse of society, and still have plenty left over to continue bankrupting the state of Florida to spite DeSantis.

And all of this cutting, razor-sharp wit is what I would have said to Mike…if I’d freaking thought of it in the moment.

Eh. There’s always next time.

News and Blog To-Do’s

Well’p, it’s about that time once in a while where I crawl out from under my rock and fulfill the promise to myself to write on here again. That means it also comes with my usual disclaimer that it isn’t that I don’t love this little slice of internet that I get to call mine – I think I’m just lazy. Also I’m a bit of a firm believer that one should most be heard when they have something to say, and I…just kinda haven’t, lately.

But, I am alive, and that’s kind of cool.

In the meantime, I also swear to myself every time that I’ll get more punctual about announcing this sort of thing when something cool happens, but since I haven’t learned my lesson yet: News dump!

It’s been a busy month of fiction publications, writers’ meetings, and fun newspaper shenanigans, and about a week and a half ago I got to check an item off my Bucket List that I didn’t wholly realize was a Bucket List item until I did it – I did a book signing!

The short version is that a little bit ago we made a regular visit to a local game store Goblin Bros, and I noticed that they stocked an anthology series I was about to have work appear in. My fiancee had more wherewithal than I can ever lay claim to and actually mentioned it to the fine folks working there, wherein they were gracious enough to invite me to do a signing for a few copies.

I felt like royalty for an afternoon. (Who am I kidding? Almost two weeks later and I’m still riding that high.) And special thanks need to go out to Amanda and my good friend Dylan for being my emotional support people and keeping me in line while I made my squiggles.

The folks at Flame Tree Publishing were super cool to work and cooperate with, and same goes for the editing team at Crow & Quill for my other work that they helped join the literary world (I might just keep trying to do this stuff thanks to Tiffany’s kind and uplifting words). My story with FTP is a (dang fancy) reprint of my first-ever story “The Sixth-Gun Conspiracy Letters”, and C&Q’s anthology ‘Rituals and Grimoires’ now has my story “Speaking to Shades”, which is one that I’m really proud of, so I’m glad it’s found such a worthy home. (Ye can find it here https://thecrowshoppe.com/…/rituals-grimoires-gothic… if ye was interested.)

I know I started this post with the ritual “It’s been, like, six weeks (again), but here I am”, but I’ve also been considering doing a bit of a remodel on this whole thing. When I started it, I think it’s pretty well evident that not a whole lot of design philosophy went into the aesthetic. I just kind of slapped it together and was like, “I’ll make it yellow. Yellow’s a happy color.”

And I’m right about that.

But it only takes maybe a gram of honesty with myself to see that it’s lacking – earnest, simple, and modest, but lacking nonetheless. So in the next couple wee- okay, no. There will be an eventual remodel of sorts so this can be a halfway respectable slice of internet. A proper About Page, Contact Me, a list of Published Works, a Gallery or some junk – I don’t know, but more of what good, respectable, upstanding websites of internet society have.

I’m also going to take it back to its roots juuuust a little bit. The whole mission statement of this blog was in its namesake: The Light of Day, ie “that thing most of my work will never see.” I definitely have fun just ranting on here and thinking out into the void over just sharing scrap notes, but I think I’m going to piece out an old half-a-novel I had in the works from some years ago. Like the beloved work of the great Patrick Rothfuss and the monumental George R.R. Martin before him, the aforementioned project is hella unfinished. And it’s definitely without any plans to carry it forward into full literary life, but this is as peaceful a resting place / chance at second life I can think of to offer it with how blessedly busy I find myself these days.

Anyhoozle, Christ Almighty, that’s WAY more than enough of me talking about myself, so please continue your lives in just as awesome a manner as before I interrupted it.

You da bes’.

Ciao.

Faith: More Advice from a Wizard

Sup, y’all. Been a second.

I took my pedal off the gas a bit lately when it comes to making scribbles (my term of endearment for the time-honored art of literary practice), handling a move, job change, usual life drama, and all the rest have just gotten in the way. Those, and I’ve kept chugging along with this reading binge I’ve taken on this year.

I’m a sucker for New Years Resolutions. Like the rest of us, I’ve abandoned my fair share, but managed a doable list of items this time around for 2021. One of them was that I wanted to read/finish ten paperbacks before the years was up…

…I’m halfway through #23.

Of those, a fair share have been from the Dresden Files series of novels by Jim Butcher, stories about a Chicago-based wizard and private investigator. They’re fun. Well written, paced well, exciting, imaginative, and just plain good. From time to time, it gets deep, too. There come points here and there where the narration reflects on aspects of the human experience that resonate frighteningly well. We covered one life lesson a couple of months ago, and I’d like to share another excerpt from his work today about faith as he sees it:

“But there were some things I believed in. Some things I had faith in. And faith isn’t about perfect attendance to services, or how much money you put on the little plate. It isn’t about going skyclad to the Holy Rites, or meditating each day upon the divine.

“Faith is about what you do. It’s about aspiring to be better and nobler and kinder than you are. It’s about making sacrifices for the good of others – even when there’s not going to be anyone telling you what a hero you are.”

-Harry Dresden, Changes, pg. 251-252

Self-improvement, at the end of the day. You obviously can’t give all of yourself away, you can’t help everyone on the planet, you have to take care of yourself, but it’s a good compass heading, a good reminder of our shared responsibility to help those around you when you’re able.

Aaaaaand now I’ve gone and made it sound a bit preachy. So here’s something dumb to balance it out: “Why did the baseball stadium get so hot after the game ended…?”

…

Because it lost all of its fans.

Have a good night everybody!

Ciao.

Dorian Gray is Awful…(but we might have something [else] in common)

When I first entered the adult world and started taking college classes, I went on a big reading binge of classic literary works because I was leaning into feeling smart and sophisticated. I’m not saying that that worked, but it was a good journey. I now know why ‘Frankenstein’ was terrifically tragic, how ‘Dracula’ was somehow both lamer and way cooler a tale than I’d thought it would be, and that Dorian Gray is a massive douche.

I’m serious. It’s a decade later, and despite the hundreds of stories I’ve taken in since then through the different mediums – books, movies, television, video games, etc – I haven’t found a character I vehemently despise with a greater fervor than I hold for Dorian Gray.

Now, first off, I recognize that it’s a little ridiculous, and I’ve cooled my jets some. Kurt Vonnegut has a great quote about hating fiction:

“Any reviewer who expresses rage and loathing for a novel is preposterous. He or she is like a person who has put on full armor and attacked a hot fudge sundae.”

Well for a while, I bathed my armored boots in the sugary blood of Oscar Wilde’s “The Picture of Dorian Gray,” for the simple reason that the protagonist is an utter shithead.

I rant about it now a lot less often than I used to, but I hold to the opinion that Dorian Gray sucks. That’s probably a good thing, though, since I think he’s supposed to be disliked. If you haven’t ever read or heard of the story, it essential goes that a young nobleman, Dorian Gray, has a portrait painted of him by his meek friend Basil. He soon discovers that the portrait, rather than he, will bear the marks of things that ought weigh heavily on the soul: stress lines in the face, silvered hair, wrinkles that come from a Liar’s Frown, etc. He struggles a bit with whether or not he’ll lead the kind of pure life that will render his portrait forever perfect and unblemished, or live wantonly since the picture will foot whatever ethical tab he runs up.

Spoiler, he opts for the latter option, like a total dick.

*RANT INCOMING*

(I’ll keep it short, but) What I can’t stand about him isn’t that he’s selfish, conceited, arrogant, smug, and manipulative, but that he whines, bitches, and is so spineless too. Whenever he’s in a position of power or leverage, he’s completely mad with whatever little power that may present him, but the moment the tables are turned even slightly, he moans, complains, begs, weeps, and mews. Then, if he gets his leverage back, it’s right back to being an insufferable ass-hat. Like, if you’re going to be a conceited, villainous asshole, at least be sure of yourself in that. At least stick to your damned guns. But to flip flop back and forth between villain and victim is SO gross, and I’m SO happy when he *spoiler* f__kin’ dies at the end.

I forgot where I was going with this, but- oh! Yeah, my car.

Right, trust me, it ties in.

I realized earlier today that my car, Phoebe, is kind of my own portrait. I took great care of her a few years ago. Got her regular washes, got her oil changed ahead of time, maintenance and check-up’s before things had a change to break, and she’s served me well for it.

Then, life got sort of topsy-turvy and difficult, I’ve really had to realign my financial priorities, and that meant Phoebe couldn’t get the same kind of treatment. At the end of the day, with everything I’ve been through and continue to work against, I try to keep my head up, shoulders back, eyes forward, and a bit of smile at the life I’ve got. Almost like you wouldn’t know things have been rough.

But my car looks like total ass now.

I’ve said from the beginning, that as my first car that I’ve had for over a decade now, I’m going to drive it until it dies. She’s in her twilight years, and BOY does she look it. But until lightning strikes her outright dead, I’m going to act as though she intends to roll on.

It’s just created a funny bit of imagery and comparison wherein it’s like I’ve endured some rough stuff, but maybe you wouldn’t know it, and meanwhile my car is bearing all the telltale signs of hardship instead of me.

And I think that’s worth a larf.

Have a good one, everybody.

Ciao.

Thoughts on Pain (from a Wizard)

I’ve been binging paperbacks hard this year, and a fair amount of those have been The Dresden Files series. If you’re unfamiliar, it’s a series of novels by Jim Butcher centering around a private investigator in Chicago who’s a wizard. Or it might be more appropriate to say he’s a wizard who works as a private investigator. Either way, it’s great. I had friends recommending the series to me for years until one of them just bought me the first five (there are seventeen so far) and I’ve been cramming them almost constantly ever since.

They’re fun reads.

But you ever have one of those moments with a book that sits you down? That can either mean sits you down on your ass because it took you off your metaphorical feet, or it could mean that it sits you down, puts a hand on your shoulder, and has a talk with you. It’s one of those moments where, for a brief minute, you set aside the story the book is telling you and audibly thank the author by their first name like you’re on that kind of basis with them.

This was one of those.

It was a perspective on life that I realized I’m going to be loosely quoting, paraphrasing, and otherwise referencing in deep talks with others for a while, if not the rest of my days on this earth. And I won’t lie, I had expected something like that to come out of ‘The Art of War,’ or ‘The Book of Five Rings,’ or ‘The Alchemist’ (which is also good), or something. Not necessarily a novel about wizards, zombies, vampires, angels, warlocks, and all the rest.

I’m going to put the excerpt here, in all its glory. It’s out of the ninth book in the series, ‘White Night,’ pg. 307-309 if you nab the edition published by ROC. (I don’t know if there are other “editions,” it just sounded fancier to say that way.)

“The wisdom, maybe, was still in process, as evidenced by her choice of first lovers, but even as an adult, I was hardly in a position to cast stones, as evidenced by my pretty much everything.

What we hadn’t known about, back then, was pain.

Sure, we’d faced some things as children that a lot of kids don’t. Sure, Justin had qualified for his Junior de Sade badge in his teaching methods for dealing with pain. We still hadn’t learned, though, that growing up is all about getting hurt. And then getting over it. You hurt. You recover. You move on. Odds are pretty good you’re just going to get hurt again. But each time, you learn something.

Each time, you come out of it a little stronger, and at some point you realize that there are more flavors of pain than coffee. There’s the little empty pain of leaving something behind – graduating, taking the next step forward, walking out of something familiar and safe into the unknown. There’s the big, whirling pain of life upending all of your plans and expectations. There’s the sharp little pains of failure, and the more obscure aches of successes that didn’t give you what you thought they would. There are the vicious, stabbing pains of hopes being torn up. The sweet little pains of finding others, giving them your love, and taking joy in their life as they grow and learn. There’s the steady pain of empathy that you shrug off so you can stand beside a wounded friend and help them bear their burdens.

And if you’re very, very lucky, there are the very few blazing hot little pains you feel when you realize that you are standing in a moment of utter perfection, an instant of triumph, or happiness, or mirth which at the same time cannot possibly last – and yet will remain with you for life.

Everyone is down on pain, because they forget something important about it: Pain is for the living. Only the dead don’t feel it.

Pain is a part of life. Sometimes it’s a big part, and sometimes it isn’t, but either way, it’s part of the big puzzle, the deep music, the great game. Pain does two things: It teaches you, tells you that you’re alive. Then it passes away and leaves you changed. It leaves you wiser, sometimes. Sometimes it leaves you stronger. Either way, pain leaves its mark, and everything important that will ever happen to you in life is going to involve it in one degree or another.”

God. Damn.

Thanks, Jim.

Little Red Rock

One of the hardest things to do as a writer, it seems, is to handle the crippling loneliness that constantly threatens to drown you like the black waters of a high tide you don’t notice until their chill is constricting your chest and-

Ahem.

What I meant was, one of the hardest things to do as a writer, it seems, it to do just that: Write. Finding a place to start. Staring at a blank page. Making the dream theater in the your brain real on the page. Like, it doesn’t seem that hard, but there’s some strange paralytic element to the act of…just doing. It’s a skill that takes time to cultivate, and the bummer is that there’s no real trick to it. The way to do it is to just friggin’ do it; and the more you do it, the more momentum you build and the easier it gets.

A byproduct of that is you wind up writing a lot of crap. And not in the sense of how much content you create, though that’s true to. I mean a lot of the ideas you have, flesh out, and bring to life through effort and time will inevitably suck. But what’s cool is that the more you do it, the more crap you generate, the more gems in the rough you come across, and the more stuff you have to look back on and go, “Hahaha, wow. Once upon a time, I thought that was a good idea. Geez.”

Like this one.

Technically, the story that follows was the result of a drunken New Year’s Eve a couple of years ago. There was a deadline approaching for a magazine that held a call for cheesey, sci-fi/horror taking place in space. This totally fit the bill, but…it’s…just not real good. I’ve kept it in my folder for manuscripts I’ll pitch to open calls for stories and sling it at anyone asking for something like that: cheap horror set in space, but I definitely recognize that I rushed the story to a conclusion I thought was funny and then have never since bothered to edit it or fix.

So, if you have ten minutes you’re looking to burn on a piece of bad sci-fi/horror fiction that ends in a badly told “Tell me about the rabbits, Lenny” joke, I present…

Little Red Rock

Mars.

A tiny, copper light among the stars that inspired priests, storytellers, and astronomers for millennia. Does it have water? Did it have water? Or little green men with ray guns, flying saucers, and big heads?

The first Mars rovers and probes sent back images of bare rocky expanses. They were boring but at the same time so exciting because they reminded us that Mars was a place, a very real and reachable place. These boring pictures were lauded as an awesome expanse of the frontier. They kept news cycles around the globe busy for about two weeks before the latest and greatest political scandal stole back the headlines. The pictures almost fell into comfortable obscurity when the rover sent back new images, interesting ones, the ones the world was really waiting for. December 18^th, 2021, the Mars rover sent back images of a large, angular structure, embedded into one of the planet’s innumerable rocky, red cliffs.

Right on time for Christmas.

In a brand new, cooperative Space Race, efforts mounted to get boots on the red planet and, just four incredibly short years later, the Ares mission launched. On board was a team of six international specialists. Head of Linguistics and Communications Anthony Gomez, Chief Technical Officer Tanisha Roberts, and Lieutenant Colonel Leonard Thompson made up the team’s military arm. Chief Geologist Makoto Tanaka, Chief Medical Officer Victor Andrade, and Chief Biologist Sonya Manesh comprised its civilian science wing. Together, they represented both the world’s best and brightest as well as Earth’s attempt at a potential diplomatic contact with an extraterrestrial.

Initial reports from the Ares mission began as they would go on: short and usually upsetting.

Six months into space flight, Officer Andrade succumbed to an illness, allegedly resulting from a previously undisclosed or unknown serious food allergy to peanuts. Then, stemming from a course deviation and near miss with Phobos, a miscalculation put the shuttle’s landing off its mark by some forty-eight kilometers. To follow, a hard landing left Officer Gomez with injuries to his leg and spine. He was stable, but after it was deemed necessary to take the shuttle’s Ranger to the site of the structure, it was voted among the crew that Gomez was to stay behind.

The Ranger departed the shuttle January 23^rd, 2027, at 16:00 Earth’s time. Its last transmission was received at 17:43 of the same day as it approached the structure. The crew described a mountainous, angular facility with strange runic markings about much of the face of its walls and thick cables which were woven into the rock like roots from a tree. The transmission was broadcast live on Earth to a global audience which hung greedily on every detail and set thousands of historians immediately to work on their dissertations. The excitement peaked as the transmission described an even stranger sight.

“There’s…what, it looks like a door,” said Officer Roberts’ voice over the radio. “It’s opening! The door to the facility is opening and- what in the? It looks…there’s someone there. Two legs, arms, my God! It looks human- well, humanoid. But blue, like it’s made of light. A hologram of some kind maybe? It looks like it’s…waving to us? Yes! It’s greeting us! Contact, I repeat, we have made contact! Holy crap, this is incredible! Approaching the door now!”

With no word since then, Officer Gomez and the rest of the world were left to wonder what it was the rest of the crew of the Ares mission had discovered inside.

“Duck! Duck goddammit!” Thompson slammed his hands against the viewing glass. “Above you!”

“Now on your left, Sonya!” Tanaka shouted. “Fuck, Roberts, can’t you shut this thing down?”

“I’m trying! He’s locked me out!” Tanisha pushed a button and her voice rang out of a speaker in the chamber they were all watching. “You have one more wave, Sonya. Get ready.”

Things were not going well.

On the other side of the glass where the three crew member stood, Sonya Manesh gave a weak thumb’s up. She was in a blank room with featureless chrome walls. She was dressed in an orange and white jumpsuit, drawing heavy, gasping breaths, and her hair stuck to her forehead with sweat. She had a deep cut on her left arm and various singe marks on her other arm and legs.

“Final commencement agility testing,” came a voice with a thick Russian accent over the speaker. “Will now begin. I am wishing you good luck.”

“Fuck, come on Kestrel! That’s enough!” Thompson shouted.

“But the testing must be beginning soon. These are rules.”

“Can’t you just rip out the wires or something?” Tanaka whispered to Roberts, who was frantically searching the console in front of them.

“You want me to just start ripping things out?” she hoarsely whispered back. “We barely understand what this place is, let alone how it was built. I do that, who knows what would happen?”

“I do,” came the Russian voice over the speaker again. “Also because I am hearing you. Your whisper is very bad.”

“How about instead of these tests, you just let us-”

“Anyway, testing starts now!”

A red light on the wall beside them turned green. Inside the room, dozens of small nodes began to emerge from hidden creases in the walls. A light hum filled the chamber as beams of light shot across the room and connected between the nodes, forming something of a fractured grid of lasers. Sonya spun around, wildly taking note of the several new deadly lines of burning plasma. She began to panic.

“Guys? Guys, there are way too many! This is so many more than last time!” she cried.

“Keep your head on straight,” Thompson shouted into the microphone on the console. “That’s an order!”

“You can do this, Sonya. Just stay focused,” Tanaka followed.

The nodes began to move slowly across the walls, shifting the lines of light with them. Sonya ducked out of the way of one, dove off to the side of another, and flattened herself against the ground to avoid a net of more. Seeing another line descending on her, she rolled out of the way, and then narrowly missed another beam that slid under her with a quick hop.

“She’s doing okay,” Roberts breathed to herself, her thumb off the microphone’s button

“She isn’t out of this yet,” warned Thompson. “But she’s doing alright.”

“See?” A blue figure statically phased into being behind them. It appeared to wear a jumpsuit and an ushanka hat with a hammer and sickle symbol just above the forehead. Its arms were crossed and it wore an exaggerated smirk on its flickering face. “It would not be test if there was no winning. You were all worried.”

“It shouldn’t be a test at all, you son-of-a-bitch,” Tanaka shouted.

Sonya rolled out of the way of another beam, but caught her foot on yet another. It cleanly sliced off a portion of her shoe and she howled, fell to the ground, and held her foot. In her moment of stillness, a third beam twisted in her direction. She threw herself out of its way, but too slowly. It passed through the peak of her bent knee and after a stunned moment she let out an agonizing scream.

“Turn this off, now!” Thompson shouted at Kestrel. “Do it or I swear to God I will tear this place apart. Discoveries and exploration be damned, I will hunt your Commie-ass down if you don’t let her go!”

With an unnerving precision of movement and suddenly grave expression, Kestrel’s head turned towards Lt. Colonel Thompson. “It sounds to me like someone is volunteering to be going next.” The two held a hard gaze for a long moment, before Kestrel suddenly smiled again. “But! You are correct,” he said, facing Tanaka. “It is no longer test. With leg like that, test is failed. I will proceed with the deactivating of the testing equipments.”

Kestrel’s blue form flickered and then dissipated entirely. The crew members turned around and saw that, one by one, the nodes in the testing chamber were deactivating. When they were all again recessed into the walls, a door on the far end noiselessly slid open. A door in their own viewing room also opened and Roberts held her thumb to the microphone’s button.

“You’re done here. Kestrel’s letting you out, you won. We’re coming to get you, hon. I know it’s gotta be hard as hell, but get yourself out of that room. Crawl if you have to and we’ll meet you back in the anteroom. Okay?”

Sonya Manesh just lied on her back and cried for a long moment, but with heaving sobs managed to get herself to her feet and began walking with support from the wall towards the newly opened door.

“Alright, she’s moving. Let’s do the same,” said Thompson.

They made their way out of the room, but as Roberts was about to step through, something caught her eye. She turned and saw a small dot appearing on one of the walls. A shock pulsed in her heart as she realized what it was and ran back to the console. She jammed on the microphone’s button as the beam shot from the node whirred across the room towards the limping scientist.

“Sonya!” she screamed.

“Oops,” the speaker crackled.

The remaining crew members of the Ares mission were gathered into a small, dark room, lit only by four small light emanating from the floor’s corners. Roberts was slumped against one walls with her arms around her knees, Tanaka leaned against another with his hands in his pockets, and Thompson paced back and forth like a boar.

“Okay,” Kestrel said, slapping his spectral hands together. “You are having questions?”

“You’re goddamn right we do!” steamed the Lt. Colonel. “She passed your test, why in the hell did you kill her anyway?”

“Whoa, whoa. It was technical malfunction. Facility is old. These things have bad luck of happening.”

“Why?” Tanaka asked softly.

“Why, what, comrade?”

“Any of this? We still don’t know who you are, what you are, or why any of this is necessary.” He slumped his shoulders defeatedly. Thompson and Roberts both looked to the Russian ghost.

“Ah, well, that is long story. But is short also, because most of it I am not remember. I was, long time ago, cosmonaut, part of Red Eagle mission, 1967.”

“Wait, what?” asked Roberts, rising to her feet. “You were part of the Space Race of the sixties? But that was to the moon.”

“Ah,” shook Kestrel. “You Americans wanted moon. When you Americans got moon, U.S.S.R. figured hey, what is better? Moon or Red Planet? Red planet made better symbol for win over you western capitalists. Figured, eh, ‘go ahead and keep moon, we have Red Planet. Fuck your moon.’”

The crew members of the Ares looked to one another with what was either astonishment or utter disbelief. Tanaka was now the one pacing and Thompson was leaning against one of the walls.

“Wait,” said Tanaka. “Then what are these tests for? And how did you guys build all of this?”

“Well, two are sort of same,” replied Kestrel. “Firstly, big head boom discovery-” the hologram made an exaggerated motion with his hands of his head being blown up, complete with a cartoonish face expression, “-is that this was already here. Whole building. We wanted to radio back and tell of discovery, but landing was bad.”

“So then what did you do?” asked Roberts.

“We did what could do. We explored, saw what station building could be use for, what Kremlin would want station be use for. Training. Mining. All things to win next big war. Then, we found strange room, I fell asleep in strange bed and when I woke up, comrades were dead and I was like this…blue. Bleh. Blue.” The image shuddered as if in disgust.

“You wanted,” began the Lt. Colonel slowly, “to start up a war base on Mars?”

The spectral Russian nodded proudly.

“That’s about the stupidest fuckin’ thing I’ve ever heard!” The barrel-chested military man began howling. Roberts and Tanaka looked at each other uncomfortably, and Kestrel faced Thompson with a stern look on his holographic face.

“Sir, I wouldn’t egg him on.”

The Lt. Colonel continued to laugh. “And what’s he gonna do, huh? He wrapped us up into one of those death gizmos already. He ain’t nothing’ but pixels, anyway.” Thompson moved to walk through the projection that was Kestrel but stumbled back, finding the man of light to be surprisingly solid. “What the hell?” was all he could utter before he was lifted up by the throat.

“Sir!” Tanaka shouted.

“Leonard!” followed Roberts.

“Wait.” Kestrel stopped suddenly and set Thompson back on his feet, whereupon he immediately fell to the ground gasping and coughing. “You are named Leonard?”

“Yeah, what of it?” he coughed.

The ghost that was Kestrel giddily jumped and pranced around the room. Singing incomprehensibly to himself as the three others shared unnerved glances. When he finally stopped, he walked up to Thompson, stopping just short of the man’s nose. “Your turn, Lennie,” he laughed. The wall behind the Lt. Colonel slid swiftly open and closed behind him again as Kestrel kicked him through.

“Hey, what the hell is this?” they heard the military man’s voice faintly through the wall.

“It is last test,” replied Kestrel, his back against the wall Leonard had just been pushed through, facing the others. “Tell us what you are seeing.”

“I ain’t tellin’ you shit!”

“What do you see?” Kestrel’s voice boomed and they could hear a whirring on the other side of the wall.

“Is this really necessary?” Tanaka asked, almost pleadingly. Roberts just shuddered quietly. The two looked at one another. Without words, the glance they shared said all that needed saying. Whatever mind was trapped inside the projection they called ‘Kestrel’, whether it was from time in isolation or from frayed wires elsewhere in the facility, it was a mind that was cracked and broken.

They weren’t leaving this place.

“Eiyah! Okay, okay. Jesus, put that thing down,” came Thompson’s voice again. “It looks…ah, it looks like there’s a screen in here?”

“Yes? And?” Kestrel appeared to be silently chuckling to himself. “What else is there, comrade?”

“Ah, hell. Um, looks like there’s a farm house, maybe? A lake too, or a pond? What the hell is this supposed to be about, anyways?”

“What else? Is part of visual acuity testing and for communication skills. Very important.” Kestrel leaned forward, whispering over the others’ shoulders. “You know,” he said quietly, “I never actually hated you Americans. In fact, I was always big fan of proud American work ethic, grit much like Russia, and your American literature. I was big fan particular of your ‘Of Mice and Men’.” He winked at the two remaining crew members of the Ares and back to the wall he called, “What about the rabbits, Lennie?”

“Yeah, looks like some fuckin’ bunnies too. What of-”

There was a muted bang and dull thud on the other side of the wall. Kestrel chuckled silently into his hands, but then suddenly stopped as though his ears had just pricked.

“I’m sorry comrades, but that is all for the testing. Thank you for time and the participating, but now is time I go. Wish well and things.”

Just like that, the blue figure of Kestrel flickered once, twice, and then ceased to be. Tanaka and Roberts both silently looked at one another, each shaking, as one by one, the lights in the corner of the room they were in slowly dimmed and went black.

Communications Officer Anthony Gomez lied on his cot feeling the medication he’d found in Andrade’s station. The unbearably sharp pains in his back and leg, a slipped disc and fractured femur he was certain, had been reduced to dull aches for the time being. He stared out of the shuttle’s port window at the setting martian sun. It was funny, he thought, that this was truly the most lonely he had ever been, but he was alright with it. Whether it was the morphine talking or not, he couldn’t help but find the last rays of sunlight that splayed out over the canyons of that barren waste to be the most beautiful thing he’d ever seen.

“Where the hell are you guys?” he whispered to the ceiling.

Just then, a light flared to life at his station. He groaned, but slowly rolled off of his cot and limped over to the console. Fortunately, at little over one-third Earth’s gravity, he only stopped at a spasm in his back once on his way there. He slumped lightly into the seat, grimaced, and answered the hail.

“Finally, you guys. I thought you’d forgotten about me.”

Silence.

“Hey, you there?” Gomez ventured again, more nervously this time.

“Evening, comrade.”

END

PS – Holy crap, I just realized I set the date for news of a structure discovered on Mars for a few months from now. Let this also, officially, count as me friggin’ calling it, if that happens. Because I wrote this almost two years ago before the rover touched down, for the record; and yes I do expect to be hailed as a damned prophet for my abilities…if it pans out. Otherwise, ahem, y’know, I’m just kidding.