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Fiction isn’t (Just) Nonsense

We’ve all had those times after a conversation with someone. You know the ones I’m talking about. The “Oo, I should have said this” times. And of course, then, we replay the conversation in our heads but this time it goes in such a way that we’re a badass with all the right things to say.

The other thing about those moments is that they can stick with you for years down the road.

I was having a conversation in the break room with my boss years ago, we’ll call him Mike, and he’d heard about my (at the time) upcoming sabbatical. I never knew him all too personally, but my read on him was that he was a very left-brain sort of guy: math, numbers, engineering, logistics, factors, etc. He knew that I was trying to become a fiction writer and I think that he was just trying to find a way to relate, even if that meant communicating a lack of relation.

“I tried reading a bit of fiction before,” he laughed. “But once I was done, I was like, ‘What was the point of that?’ I just have all this useless information now.”

I’m loosely quoting him there, but the words I’m sure about are the ones of him referring to fiction as “useless information”. And again, I’m pretty sure he meant it kind-heartedly and jokingly, but whoa, bub, word choice. In the moment, I just laughed a bit awkwardly and agreed because I was twenty-five, not sure of what the heck I was doing (still not), and talking to the CEO of the company about a pursuit he just deigned “useless”.

Since then, I’ve found myself in odd moments here or there having that conversation again in my head and justifying the value of fiction to him. The first quote that came to mind to neatly and concisely encapsulate the sentiment I wish I’d had the presence of mind to communicate in the moment is one from Neil Gaiman:

“Fiction gives us empathy: it puts us inside the minds of other people and gives us the gifts of seeing the world through their eyes. Fiction is a lie that tells us true things, over and over.”

The ability to relate a situation in your life to another you know of, whether real or fantastical as found in fiction, that skill of being able to draw patterns and associations between those circumstances and draw wisdom, advice, inspiration, or answers from them is valuable. Characters found in novels or movies are just constructs in our own minds, but the beautiful part is that by their nature we forget about that fact. Those characters, for all intents and purposes, are people with real experiences that we can choose to relate to and learn from – if you just freakin’ choose to.

Don’t believe me? While thinking up this little piece you’re reading right now, I jotted down two names that, in very real, substantial, earth-changing ways have historically demonstrated the value of storytelling.

Jesus and Disney.

One can be a devoted church-goer and readily tell you of the impact that a powerfully delivered sermon had on their life, or be decidedly atheist and still see Christianity’s undeniable impact on world history and society today. And if money is the measure by which you choose to estimate success, Disney Enterprises–a massive corporation built off the back of selling fictional stories–could buy the moon, half of Western Europe, every truffle to come out of the earth from now until the collapse of society, and still have plenty left over to continue bankrupting the state of Florida to spite DeSantis.

And all of this cutting, razor-sharp wit is what I would have said to Mike…if I’d freaking thought of it in the moment.

Eh. There’s always next time.

News and Blog To-Do’s

Well’p, it’s about that time once in a while where I crawl out from under my rock and fulfill the promise to myself to write on here again. That means it also comes with my usual disclaimer that it isn’t that I don’t love this little slice of internet that I get to call mine – I think I’m just lazy. Also I’m a bit of a firm believer that one should most be heard when they have something to say, and I…just kinda haven’t, lately.

But, I am alive, and that’s kind of cool.

In the meantime, I also swear to myself every time that I’ll get more punctual about announcing this sort of thing when something cool happens, but since I haven’t learned my lesson yet: News dump!

It’s been a busy month of fiction publications, writers’ meetings, and fun newspaper shenanigans, and about a week and a half ago I got to check an item off my Bucket List that I didn’t wholly realize was a Bucket List item until I did it – I did a book signing!

The short version is that a little bit ago we made a regular visit to a local game store Goblin Bros, and I noticed that they stocked an anthology series I was about to have work appear in. My fiancee had more wherewithal than I can ever lay claim to and actually mentioned it to the fine folks working there, wherein they were gracious enough to invite me to do a signing for a few copies.

I felt like royalty for an afternoon. (Who am I kidding? Almost two weeks later and I’m still riding that high.) And special thanks need to go out to Amanda and my good friend Dylan for being my emotional support people and keeping me in line while I made my squiggles.

The folks at Flame Tree Publishing were super cool to work and cooperate with, and same goes for the editing team at Crow & Quill for my other work that they helped join the literary world (I might just keep trying to do this stuff thanks to Tiffany’s kind and uplifting words). My story with FTP is a (dang fancy) reprint of my first-ever story “The Sixth-Gun Conspiracy Letters”, and C&Q’s anthology ‘Rituals and Grimoires’ now has my story “Speaking to Shades”, which is one that I’m really proud of, so I’m glad it’s found such a worthy home. (Ye can find it here https://thecrowshoppe.com/…/rituals-grimoires-gothic… if ye was interested.)

I know I started this post with the ritual “It’s been, like, six weeks (again), but here I am”, but I’ve also been considering doing a bit of a remodel on this whole thing. When I started it, I think it’s pretty well evident that not a whole lot of design philosophy went into the aesthetic. I just kind of slapped it together and was like, “I’ll make it yellow. Yellow’s a happy color.”

And I’m right about that.

But it only takes maybe a gram of honesty with myself to see that it’s lacking – earnest, simple, and modest, but lacking nonetheless. So in the next couple wee- okay, no. There will be an eventual remodel of sorts so this can be a halfway respectable slice of internet. A proper About Page, Contact Me, a list of Published Works, a Gallery or some junk – I don’t know, but more of what good, respectable, upstanding websites of internet society have.

I’m also going to take it back to its roots juuuust a little bit. The whole mission statement of this blog was in its namesake: The Light of Day, ie “that thing most of my work will never see.” I definitely have fun just ranting on here and thinking out into the void over just sharing scrap notes, but I think I’m going to piece out an old half-a-novel I had in the works from some years ago. Like the beloved work of the great Patrick Rothfuss and the monumental George R.R. Martin before him, the aforementioned project is hella unfinished. And it’s definitely without any plans to carry it forward into full literary life, but this is as peaceful a resting place / chance at second life I can think of to offer it with how blessedly busy I find myself these days.

Anyhoozle, Christ Almighty, that’s WAY more than enough of me talking about myself, so please continue your lives in just as awesome a manner as before I interrupted it.

You da bes’.

Ciao.

Faith: More Advice from a Wizard

Sup, y’all. Been a second.

I took my pedal off the gas a bit lately when it comes to making scribbles (my term of endearment for the time-honored art of literary practice), handling a move, job change, usual life drama, and all the rest have just gotten in the way. Those, and I’ve kept chugging along with this reading binge I’ve taken on this year.

I’m a sucker for New Years Resolutions. Like the rest of us, I’ve abandoned my fair share, but managed a doable list of items this time around for 2021. One of them was that I wanted to read/finish ten paperbacks before the years was up…

…I’m halfway through #23.

Of those, a fair share have been from the Dresden Files series of novels by Jim Butcher, stories about a Chicago-based wizard and private investigator. They’re fun. Well written, paced well, exciting, imaginative, and just plain good. From time to time, it gets deep, too. There come points here and there where the narration reflects on aspects of the human experience that resonate frighteningly well. We covered one life lesson a couple of months ago, and I’d like to share another excerpt from his work today about faith as he sees it:

“But there were some things I believed in. Some things I had faith in. And faith isn’t about perfect attendance to services, or how much money you put on the little plate. It isn’t about going skyclad to the Holy Rites, or meditating each day upon the divine.

“Faith is about what you do. It’s about aspiring to be better and nobler and kinder than you are. It’s about making sacrifices for the good of others – even when there’s not going to be anyone telling you what a hero you are.”

-Harry Dresden, Changes, pg. 251-252

Self-improvement, at the end of the day. You obviously can’t give all of yourself away, you can’t help everyone on the planet, you have to take care of yourself, but it’s a good compass heading, a good reminder of our shared responsibility to help those around you when you’re able.

Aaaaaand now I’ve gone and made it sound a bit preachy. So here’s something dumb to balance it out: “Why did the baseball stadium get so hot after the game ended…?”

Because it lost all of its fans.

Have a good night everybody!

Ciao.

Dorian Gray is Awful…(but we might have something [else] in common)

When I first entered the adult world and started taking college classes, I went on a big reading binge of classic literary works because I was leaning into feeling smart and sophisticated. I’m not saying that that worked, but it was a good journey. I now know why ‘Frankenstein’ was terrifically tragic, how ‘Dracula’ was somehow both lamer and way cooler a tale than I’d thought it would be, and that Dorian Gray is a massive douche.

I’m serious. It’s a decade later, and despite the hundreds of stories I’ve taken in since then through the different mediums – books, movies, television, video games, etc – I haven’t found a character I vehemently despise with a greater fervor than I hold for Dorian Gray.

Now, first off, I recognize that it’s a little ridiculous, and I’ve cooled my jets some. Kurt Vonnegut has a great quote about hating fiction:

“Any reviewer who expresses rage and loathing for a novel is preposterous. He or she is like a person who has put on full armor and attacked a hot fudge sundae.”

Well for a while, I bathed my armored boots in the sugary blood of Oscar Wilde’s “The Picture of Dorian Gray,” for the simple reason that the protagonist is an utter shithead.

I rant about it now a lot less often than I used to, but I hold to the opinion that Dorian Gray sucks. That’s probably a good thing, though, since I think he’s supposed to be disliked. If you haven’t ever read or heard of the story, it essential goes that a young nobleman, Dorian Gray, has a portrait painted of him by his meek friend Basil. He soon discovers that the portrait, rather than he, will bear the marks of things that ought weigh heavily on the soul: stress lines in the face, silvered hair, wrinkles that come from a Liar’s Frown, etc. He struggles a bit with whether or not he’ll lead the kind of pure life that will render his portrait forever perfect and unblemished, or live wantonly since the picture will foot whatever ethical tab he runs up.

Spoiler, he opts for the latter option, like a total dick.

*RANT INCOMING*

(I’ll keep it short, but) What I can’t stand about him isn’t that he’s selfish, conceited, arrogant, smug, and manipulative, but that he whines, bitches, and is so spineless too. Whenever he’s in a position of power or leverage, he’s completely mad with whatever little power that may present him, but the moment the tables are turned even slightly, he moans, complains, begs, weeps, and mews. Then, if he gets his leverage back, it’s right back to being an insufferable ass-hat. Like, if you’re going to be a conceited, villainous asshole, at least be sure of yourself in that. At least stick to your damned guns. But to flip flop back and forth between villain and victim is SO gross, and I’m SO happy when he *spoiler* f__kin’ dies at the end.

I forgot where I was going with this, but- oh! Yeah, my car.

Right, trust me, it ties in.

I realized earlier today that my car, Phoebe, is kind of my own portrait. I took great care of her a few years ago. Got her regular washes, got her oil changed ahead of time, maintenance and check-up’s before things had a change to break, and she’s served me well for it.

Then, life got sort of topsy-turvy and difficult, I’ve really had to realign my financial priorities, and that meant Phoebe couldn’t get the same kind of treatment. At the end of the day, with everything I’ve been through and continue to work against, I try to keep my head up, shoulders back, eyes forward, and a bit of smile at the life I’ve got. Almost like you wouldn’t know things have been rough.

But my car looks like total ass now.

I’ve said from the beginning, that as my first car that I’ve had for over a decade now, I’m going to drive it until it dies. She’s in her twilight years, and BOY does she look it. But until lightning strikes her outright dead, I’m going to act as though she intends to roll on.

It’s just created a funny bit of imagery and comparison wherein it’s like I’ve endured some rough stuff, but maybe you wouldn’t know it, and meanwhile my car is bearing all the telltale signs of hardship instead of me.

And I think that’s worth a larf.

Have a good one, everybody.

Ciao.

Thoughts on Pain (from a Wizard)

I’ve been binging paperbacks hard this year, and a fair amount of those have been The Dresden Files series. If you’re unfamiliar, it’s a series of novels by Jim Butcher centering around a private investigator in Chicago who’s a wizard. Or it might be more appropriate to say he’s a wizard who works as a private investigator. Either way, it’s great. I had friends recommending the series to me for years until one of them just bought me the first five (there are seventeen so far) and I’ve been cramming them almost constantly ever since.

They’re fun reads.

But you ever have one of those moments with a book that sits you down? That can either mean sits you down on your ass because it took you off your metaphorical feet, or it could mean that it sits you down, puts a hand on your shoulder, and has a talk with you. It’s one of those moments where, for a brief minute, you set aside the story the book is telling you and audibly thank the author by their first name like you’re on that kind of basis with them.

This was one of those.

It was a perspective on life that I realized I’m going to be loosely quoting, paraphrasing, and otherwise referencing in deep talks with others for a while, if not the rest of my days on this earth. And I won’t lie, I had expected something like that to come out of ‘The Art of War,’ or ‘The Book of Five Rings,’ or ‘The Alchemist’ (which is also good), or something. Not necessarily a novel about wizards, zombies, vampires, angels, warlocks, and all the rest.

I’m going to put the excerpt here, in all its glory. It’s out of the ninth book in the series, ‘White Night,’ pg. 307-309 if you nab the edition published by ROC. (I don’t know if there are other “editions,” it just sounded fancier to say that way.)

“The wisdom, maybe, was still in process, as evidenced by her choice of first lovers, but even as an adult, I was hardly in a position to cast stones, as evidenced by my pretty much everything.

What we hadn’t known about, back then, was pain.

Sure, we’d faced some things as children that a lot of kids don’t. Sure, Justin had qualified for his Junior de Sade badge in his teaching methods for dealing with pain. We still hadn’t learned, though, that growing up is all about getting hurt. And then getting over it. You hurt. You recover. You move on. Odds are pretty good you’re just going to get hurt again. But each time, you learn something.

Each time, you come out of it a little stronger, and at some point you realize that there are more flavors of pain than coffee. There’s the little empty pain of leaving something behind – graduating, taking the next step forward, walking out of something familiar and safe into the unknown. There’s the big, whirling pain of life upending all of your plans and expectations. There’s the sharp little pains of failure, and the more obscure aches of successes that didn’t give you what you thought they would. There are the vicious, stabbing pains of hopes being torn up. The sweet little pains of finding others, giving them your love, and taking joy in their life as they grow and learn. There’s the steady pain of empathy that you shrug off so you can stand beside a wounded friend and help them bear their burdens.

And if you’re very, very lucky, there are the very few blazing hot little pains you feel when you realize that you are standing in a moment of utter perfection, an instant of triumph, or happiness, or mirth which at the same time cannot possibly last – and yet will remain with you for life.

Everyone is down on pain, because they forget something important about it: Pain is for the living. Only the dead don’t feel it.

Pain is a part of life. Sometimes it’s a big part, and sometimes it isn’t, but either way, it’s part of the big puzzle, the deep music, the great game. Pain does two things: It teaches you, tells you that you’re alive. Then it passes away and leaves you changed. It leaves you wiser, sometimes. Sometimes it leaves you stronger. Either way, pain leaves its mark, and everything important that will ever happen to you in life is going to involve it in one degree or another.”

God. Damn.

Thanks, Jim.

Little Red Rock

One of the hardest things to do as a writer, it seems, is to handle the crippling loneliness that constantly threatens to drown you like the black waters of a high tide you don’t notice until their chill is constricting your chest and-

Ahem.

What I meant was, one of the hardest things to do as a writer, it seems, it to do just that: Write. Finding a place to start. Staring at a blank page. Making the dream theater in the your brain real on the page. Like, it doesn’t seem that hard, but there’s some strange paralytic element to the act of…just doing. It’s a skill that takes time to cultivate, and the bummer is that there’s no real trick to it. The way to do it is to just friggin’ do it; and the more you do it, the more momentum you build and the easier it gets.

A byproduct of that is you wind up writing a lot of crap. And not in the sense of how much content you create, though that’s true to. I mean a lot of the ideas you have, flesh out, and bring to life through effort and time will inevitably suck. But what’s cool is that the more you do it, the more crap you generate, the more gems in the rough you come across, and the more stuff you have to look back on and go, “Hahaha, wow. Once upon a time, I thought that was a good idea. Geez.”

Like this one.

Technically, the story that follows was the result of a drunken New Year’s Eve a couple of years ago. There was a deadline approaching for a magazine that held a call for cheesey, sci-fi/horror taking place in space. This totally fit the bill, but…it’s…just not real good. I’ve kept it in my folder for manuscripts I’ll pitch to open calls for stories and sling it at anyone asking for something like that: cheap horror set in space, but I definitely recognize that I rushed the story to a conclusion I thought was funny and then have never since bothered to edit it or fix.

So, if you have ten minutes you’re looking to burn on a piece of bad sci-fi/horror fiction that ends in a badly told “Tell me about the rabbits, Lenny” joke, I present…

Little Red Rock

Mars.

A tiny, copper light among the stars that inspired priests, storytellers, and astronomers for millennia. Does it have water? Did it have water? Or little green men with ray guns, flying saucers, and big heads?

The first Mars rovers and probes sent back images of bare rocky expanses. They were boring but at the same time so exciting because they reminded us that Mars was a place, a very real and reachable place. These boring pictures were lauded as an awesome expanse of the frontier. They kept news cycles around the globe busy for about two weeks before the latest and greatest political scandal stole back the headlines. The pictures almost fell into comfortable obscurity when the rover sent back new images, interesting ones, the ones the world was really waiting for. December 18th, 2021, the Mars rover sent back images of a large, angular structure, embedded into one of the planet’s innumerable rocky, red cliffs.

Right on time for Christmas.

In a brand new, cooperative Space Race, efforts mounted to get boots on the red planet and, just four incredibly short years later, the Ares mission launched. On board was a team of six international specialists. Head of Linguistics and Communications Anthony Gomez, Chief Technical Officer Tanisha Roberts, and Lieutenant Colonel Leonard Thompson made up the team’s military arm. Chief Geologist Makoto Tanaka, Chief Medical Officer Victor Andrade, and Chief Biologist Sonya Manesh comprised its civilian science wing. Together, they represented both the world’s best and brightest as well as Earth’s attempt at a potential diplomatic contact with an extraterrestrial.

Initial reports from the Ares mission began as they would go on: short and usually upsetting.

Six months into space flight, Officer Andrade succumbed to an illness, allegedly resulting from a previously undisclosed or unknown serious food allergy to peanuts. Then, stemming from a course deviation and near miss with Phobos, a miscalculation put the shuttle’s landing off its mark by some forty-eight kilometers. To follow, a hard landing left Officer Gomez with injuries to his leg and spine. He was stable, but after it was deemed necessary to take the shuttle’s Ranger to the site of the structure, it was voted among the crew that Gomez was to stay behind.

The Ranger departed the shuttle January 23rd, 2027, at 16:00 Earth’s time. Its last transmission was received at 17:43 of the same day as it approached the structure. The crew described a mountainous, angular facility with strange runic markings about much of the face of its walls and thick cables which were woven into the rock like roots from a tree. The transmission was broadcast live on Earth to a global audience which hung greedily on every detail and set thousands of historians immediately to work on their dissertations. The excitement peaked as the transmission described an even stranger sight.

“There’s…what, it looks like a door,” said Officer Roberts’ voice over the radio. “It’s opening! The door to the facility is opening and- what in the? It looks…there’s someone there. Two legs, arms, my God! It looks human- well, humanoid. But blue, like it’s made of light. A hologram of some kind maybe? It looks like it’s…waving to us? Yes! It’s greeting us! Contact, I repeat, we have made contact! Holy crap, this is incredible! Approaching the door now!”

With no word since then, Officer Gomez and the rest of the world were left to wonder what it was the rest of the crew of the Ares mission had discovered inside.

*

“Duck! Duck goddammit!” Thompson slammed his hands against the viewing glass. “Above you!”

“Now on your left, Sonya!” Tanaka shouted. “Fuck, Roberts, can’t you shut this thing down?”

“I’m trying! He’s locked me out!” Tanisha pushed a button and her voice rang out of a speaker in the chamber they were all watching. “You have one more wave, Sonya. Get ready.”

Things were not going well.

On the other side of the glass where the three crew member stood, Sonya Manesh gave a weak thumb’s up. She was in a blank room with featureless chrome walls. She was dressed in an orange and white jumpsuit, drawing heavy, gasping breaths, and her hair stuck to her forehead with sweat. She had a deep cut on her left arm and various singe marks on her other arm and legs.

“Final commencement agility testing,” came a voice with a thick Russian accent over the speaker. “Will now begin. I am wishing you good luck.”

“Fuck, come on Kestrel! That’s enough!” Thompson shouted.

“But the testing must be beginning soon. These are rules.”

“Can’t you just rip out the wires or something?” Tanaka whispered to Roberts, who was frantically searching the console in front of them.

“You want me to just start ripping things out?” she hoarsely whispered back. “We barely understand what this place is, let alone how it was built. I do that, who knows what would happen?”

“I do,” came the Russian voice over the speaker again. “Also because I am hearing you. Your whisper is very bad.”

“How about instead of these tests, you just let us-”

“Anyway, testing starts now!”

A red light on the wall beside them turned green. Inside the room, dozens of small nodes began to emerge from hidden creases in the walls. A light hum filled the chamber as beams of light shot across the room and connected between the nodes, forming something of a fractured grid of lasers. Sonya spun around, wildly taking note of the several new deadly lines of burning plasma. She began to panic.

“Guys? Guys, there are way too many! This is so many more than last time!” she cried.

“Keep your head on straight,” Thompson shouted into the microphone on the console. “That’s an order!”

“You can do this, Sonya. Just stay focused,” Tanaka followed.

The nodes began to move slowly across the walls, shifting the lines of light with them. Sonya ducked out of the way of one, dove off to the side of another, and flattened herself against the ground to avoid a net of more. Seeing another line descending on her, she rolled out of the way, and then narrowly missed another beam that slid under her with a quick hop.

“She’s doing okay,” Roberts breathed to herself, her thumb off the microphone’s button

“She isn’t out of this yet,” warned Thompson. “But she’s doing alright.”

“See?” A blue figure statically phased into being behind them. It appeared to wear a jumpsuit and an ushanka hat with a hammer and sickle symbol just above the forehead. Its arms were crossed and it wore an exaggerated smirk on its flickering face. “It would not be test if there was no winning. You were all worried.”

“It shouldn’t be a test at all, you son-of-a-bitch,” Tanaka shouted.

Sonya rolled out of the way of another beam, but caught her foot on yet another. It cleanly sliced off a portion of her shoe and she howled, fell to the ground, and held her foot. In her moment of stillness, a third beam twisted in her direction. She threw herself out of its way, but too slowly. It passed through the peak of her bent knee and after a stunned moment she let out an agonizing scream.

“Turn this off, now!” Thompson shouted at Kestrel. “Do it or I swear to God I will tear this place apart. Discoveries and exploration be damned, I will hunt your Commie-ass down if you don’t let her go!”

With an unnerving precision of movement and suddenly grave expression, Kestrel’s head turned towards Lt. Colonel Thompson. “It sounds to me like someone is volunteering to be going next.” The two held a hard gaze for a long moment, before Kestrel suddenly smiled again. “But! You are correct,” he said, facing Tanaka. “It is no longer test. With leg like that, test is failed. I will proceed with the deactivating of the testing equipments.”

Kestrel’s blue form flickered and then dissipated entirely. The crew members turned around and saw that, one by one, the nodes in the testing chamber were deactivating. When they were all again recessed into the walls, a door on the far end noiselessly slid open. A door in their own viewing room also opened and Roberts held her thumb to the microphone’s button.

“You’re done here. Kestrel’s letting you out, you won. We’re coming to get you, hon. I know it’s gotta be hard as hell, but get yourself out of that room. Crawl if you have to and we’ll meet you back in the anteroom. Okay?”

Sonya Manesh just lied on her back and cried for a long moment, but with heaving sobs managed to get herself to her feet and began walking with support from the wall towards the newly opened door.

“Alright, she’s moving. Let’s do the same,” said Thompson.

They made their way out of the room, but as Roberts was about to step through, something caught her eye. She turned and saw a small dot appearing on one of the walls. A shock pulsed in her heart as she realized what it was and ran back to the console. She jammed on the microphone’s button as the beam shot from the node whirred across the room towards the limping scientist.

“Sonya!” she screamed.

“Oops,” the speaker crackled.

*

The remaining crew members of the Ares mission were gathered into a small, dark room, lit only by four small light emanating from the floor’s corners. Roberts was slumped against one walls with her arms around her knees, Tanaka leaned against another with his hands in his pockets, and Thompson paced back and forth like a boar.

“Okay,” Kestrel said, slapping his spectral hands together. “You are having questions?”

“You’re goddamn right we do!” steamed the Lt. Colonel. “She passed your test, why in the hell did you kill her anyway?”

“Whoa, whoa. It was technical malfunction. Facility is old. These things have bad luck of happening.”

“Why?” Tanaka asked softly.

“Why, what, comrade?”

“Any of this? We still don’t know who you are, what you are, or why any of this is necessary.” He slumped his shoulders defeatedly. Thompson and Roberts both looked to the Russian ghost.

“Ah, well, that is long story. But is short also, because most of it I am not remember. I was, long time ago, cosmonaut, part of Red Eagle mission, 1967.”

“Wait, what?” asked Roberts, rising to her feet. “You were part of the Space Race of the sixties? But that was to the moon.”

“Ah,” shook Kestrel. “You Americans wanted moon. When you Americans got moon, U.S.S.R. figured hey, what is better? Moon or Red Planet? Red planet made better symbol for win over you western capitalists. Figured, eh, ‘go ahead and keep moon, we have Red Planet. Fuck your moon.’”

The crew members of the Ares looked to one another with what was either astonishment or utter disbelief. Tanaka was now the one pacing and Thompson was leaning against one of the walls.

“Wait,” said Tanaka. “Then what are these tests for? And how did you guys build all of this?”

“Well, two are sort of same,” replied Kestrel. “Firstly, big head boom discovery-” the hologram made an exaggerated motion with his hands of his head being blown up, complete with a cartoonish face expression, “-is that this was already here. Whole building. We wanted to radio back and tell of discovery, but landing was bad.”

“So then what did you do?” asked Roberts.

“We did what could do. We explored, saw what station building could be use for, what Kremlin would want station be use for. Training. Mining. All things to win next big war. Then, we found strange room, I fell asleep in strange bed and when I woke up, comrades were dead and I was like this…blue. Bleh. Blue.” The image shuddered as if in disgust.

“You wanted,” began the Lt. Colonel slowly, “to start up a war base on Mars?”

The spectral Russian nodded proudly.

“That’s about the stupidest fuckin’ thing I’ve ever heard!” The barrel-chested military man began howling. Roberts and Tanaka looked at each other uncomfortably, and Kestrel faced Thompson with a stern look on his holographic face.

“Sir, I wouldn’t egg him on.”

The Lt. Colonel continued to laugh. “And what’s he gonna do, huh? He wrapped us up into one of those death gizmos already. He ain’t nothing’ but pixels, anyway.” Thompson moved to walk through the projection that was Kestrel but stumbled back, finding the man of light to be surprisingly solid. “What the hell?” was all he could utter before he was lifted up by the throat.

“Sir!” Tanaka shouted.

“Leonard!” followed Roberts.

“Wait.” Kestrel stopped suddenly and set Thompson back on his feet, whereupon he immediately fell to the ground gasping and coughing. “You are named Leonard?”

“Yeah, what of it?” he coughed.

The ghost that was Kestrel giddily jumped and pranced around the room. Singing incomprehensibly to himself as the three others shared unnerved glances. When he finally stopped, he walked up to Thompson, stopping just short of the man’s nose. “Your turn, Lennie,” he laughed. The wall behind the Lt. Colonel slid swiftly open and closed behind him again as Kestrel kicked him through.

“Hey, what the hell is this?” they heard the military man’s voice faintly through the wall.

“It is last test,” replied Kestrel, his back against the wall Leonard had just been pushed through, facing the others. “Tell us what you are seeing.”

“I ain’t tellin’ you shit!”

“What do you see?” Kestrel’s voice boomed and they could hear a whirring on the other side of the wall.

“Is this really necessary?” Tanaka asked, almost pleadingly. Roberts just shuddered quietly. The two looked at one another. Without words, the glance they shared said all that needed saying. Whatever mind was trapped inside the projection they called ‘Kestrel’, whether it was from time in isolation or from frayed wires elsewhere in the facility, it was a mind that was cracked and broken.

They weren’t leaving this place.

“Eiyah! Okay, okay. Jesus, put that thing down,” came Thompson’s voice again. “It looks…ah, it looks like there’s a screen in here?”

“Yes? And?” Kestrel appeared to be silently chuckling to himself. “What else is there, comrade?”

“Ah, hell. Um, looks like there’s a farm house, maybe? A lake too, or a pond? What the hell is this supposed to be about, anyways?”

“What else? Is part of visual acuity testing and for communication skills. Very important.” Kestrel leaned forward, whispering over the others’ shoulders. “You know,” he said quietly, “I never actually hated you Americans. In fact, I was always big fan of proud American work ethic, grit much like Russia, and your American literature. I was big fan particular of your ‘Of Mice and Men’.” He winked at the two remaining crew members of the Ares and back to the wall he called, “What about the rabbits, Lennie?”

“Yeah, looks like some fuckin’ bunnies too. What of-”

There was a muted bang and dull thud on the other side of the wall. Kestrel chuckled silently into his hands, but then suddenly stopped as though his ears had just pricked.

“I’m sorry comrades, but that is all for the testing. Thank you for time and the participating, but now is time I go. Wish well and things.”

Just like that, the blue figure of Kestrel flickered once, twice, and then ceased to be. Tanaka and Roberts both silently looked at one another, each shaking, as one by one, the lights in the corner of the room they were in slowly dimmed and went black.

*

Communications Officer Anthony Gomez lied on his cot feeling the medication he’d found in Andrade’s station. The unbearably sharp pains in his back and leg, a slipped disc and fractured femur he was certain, had been reduced to dull aches for the time being. He stared out of the shuttle’s port window at the setting martian sun. It was funny, he thought, that this was truly the most lonely he had ever been, but he was alright with it. Whether it was the morphine talking or not, he couldn’t help but find the last rays of sunlight that splayed out over the canyons of that barren waste to be the most beautiful thing he’d ever seen.

“Where the hell are you guys?” he whispered to the ceiling.

Just then, a light flared to life at his station. He groaned, but slowly rolled off of his cot and limped over to the console. Fortunately, at little over one-third Earth’s gravity, he only stopped at a spasm in his back once on his way there. He slumped lightly into the seat, grimaced, and answered the hail.

“Finally, you guys. I thought you’d forgotten about me.”

Silence.

“Hey, you there?” Gomez ventured again, more nervously this time.

“Evening, comrade.”

END

PS – Holy crap, I just realized I set the date for news of a structure discovered on Mars for a few months from now. Let this also, officially, count as me friggin’ calling it, if that happens. Because I wrote this almost two years ago before the rover touched down, for the record; and yes I do expect to be hailed as a damned prophet for my abilities…if it pans out. Otherwise, ahem, y’know, I’m just kidding.

My Fiance’s a Potter Nerd

Nobody’s perfect, am I right? But I love her despite her imperfections, which is the whole power of love in the first place.

Kidding, of course. I get that I’m on the outside looking in when it comes to the Harry Potter empire. And it’s not like I don’t see why it’s great, just…well…two things. First, I’m a contrarian at heart. Have been since I was a kid, and have just come to accept that it’s a part of my nature in this life. I’m not sure why or where it started, but alas, The Dude abides. I see a massive crowd all headed west, my first inclination is to look east to see what we might be missing.

And secondly – this is the one that’s likely to get me in trouble, but – have you ever had a work of art, well, ruined by an overzealous fandom? Like, the show, movie, book, or whatever else might be perfectly fine, but being surrounded by fans, opinions, theories, toys, t-shirts, bags, Pop! vinyls, tattoos, baby names and everything else ALL dedicated to a particular franchise it just becomes a bit…much.

So like I said, I realize that I’m on the outside looking in on this one; but I try not to beat myself up too much. I’ve seen the movies, read the first couple of books (mostly), and feel like I get it. It’s just that the hype by hardcore fans haven’t just set the bar high, they’ve set the bar through the stratosphere.

Now, all that being said, I had a Harry Potter-themed dream last night, and really, I’m left feeling justified in that I know enough about the series, given how informed my dream was.

Something like this…

I’m standing in a dark, damp space. I realize after a few moments, not knowing how I came to be there, that I’m with two others who are in a panic and we’re not standing but running through a traffic tunnel. It’s late at night, but there are dim lights just above the sidewalks on either side and street lamps at either end.

I don’t recognize one of my companions, but I know the other to be Professor Lupin, fresh into his role as master of Defense Against the Dark Arts. He’s hurriedly covering and escorting our faceless companion as ominous organ music swells. Behind them I see fast approaching is a ghostly, horrifying Dementor. I get myself between the Dementor and my friends, draw out a wand I didn’t realize I apparently carried with me, and with a powerful breath and burst of will shout, “Expelliarmus!”

My Patronus doesn’t materialize, but the Dementor gets stunned a bit like it just got a cobweb stuck on its face. So I cry again, “Expelliarmus!” The same thing happens, the Dementor doesn’t quit its pursuit but reacts like it just got gently th’whacked. Frustration mounting at my failure to conjure a Patronus, I continue to call out, “Expelliarmus! Expelliarmus!” And while I fail to banish the Dementor, I harass it enough until Lupine and our friend have made fair escape to safety. Once I see they’ve made it clear, I throw my hands down at my sides to try something new.

“Okay, hey!” I shout. “What the hell? Can we talk about this?”

And like I’m sure it NEVER happened in the books or movies, the Dementor stops. In a voice somewhere between Nick Cage and Paul Giamatti says, “Uh, sure. The heck was all that?” It stops to flail and pantomime my wand-waving.

“You know, I’m not really all that sure. I just thought it was what I was supposed to do.”

“Well it was weird, and a bit rude.”

“Sorry, kind of. Can…can I go now? Or are you going to follow us?”

With what I think was a sort of shrug and a sigh, it waves me off.

When I woke up, I went into the kitchen to tell my fiance about the dream, which got a bit of a chuckle, especially when I mentioned that I couldn’t summon my damned Patronus. But now conscious, I realized my mistake: I wasn’t fueling the spell with a happy memory like you’re supposed to. Instead, I was just pumping the effort full of as much unbridled optimism as I could muster. I told her my mistake, and she just kept chuckling, which is when I realized the second part to my mistake – I was using the whole wrong damn spell in the first place. “Expecto Patronum” is for pushing away Dementors, “Expelliarmus” is for disarming fellow wizards.

What a doof.

Really though, I’m proud of my subconscious Potter knowledge for filling in the gaps despite my mistake. The way I figure it, I WAS disarming the Dementor of its usual weapon: that soul-sucky breath thing. Every time I hit it with Expelliarmus, I was making it cough, technically.

I grant free license to any ambitious Potter nerd out there that wants to use this as an element in their fan fiction.

Just send me a copy, cause that sh*t’s funny.

Ciao for now, y’all.

What Would you do with the Lottery? (You’re Wrong)

Hey everyone, and sorry – the title’s a mite too aggressive, but you can never be too careful.

Let me explain.

You know when you’re going through your daily life, and all of a sudden you’re struck all over again by something that got your irritated years ago? Something that really chive’d your spuds, ground your gears, got your goat, years ago? Well I had one of those moments the other day.

I was working in an optics factory at the time, and I had a coworker who regularly followed the lottery. Not one of those “If you just follow the numbers, man” types, just kept a healthy eye on it. Well, as I remember it, the Super Lotto Jackpot (if that’s what it’s called) was at some truly ridiculous sum. If you hit all the numbers, the winner would be given something like 500 million dollars, either in the form of a 350 million dollar one-time payout, or basically $300,000 every month for the rest of your life.

Three hundred thousand dollars, every month, until you died.

Naturally, the question roamed around work: What would you do with it if you won? And some of the answers I heard infuriated me. “Oh, you know,” they began. “I’d keep my day job, of course. I’d make sure that plenty of it went into savings, and I’d use the rest to take care of my needs and live comfortably. Maybe a small house.” Even now, years later, I can feel my pulse quickening at how stupid that is.

Do you-

Can you even-

Does it settle on you how much money $300,000 is? Much less, that much every MONTH. That’s $10,000 A DAY. For most of us, that’s more money than we’d know what to do with. “Keep my day job-” Listen lady/dude/you, fu** your day job. Your day job doesn’t matter anymore. Literally, whatever you were doing, it doesn’t outweigh the net good you can now do with these boatloads of cash. It would be the most actual waste of time. Your day job is now hiring the right people to make sure this money gets spent properly. Set yourself up, set your family up, then you know what you start doing? Start solving sh**.

Homelessness in your area? Not anymore there isn’t.

Local schools having issues with budget constraints? Thing of the past.

People with crippling medical debt? Be gone, foul financial demon.

Your main concern now is living a loooooong healthy life and putting together a network of qualified, trustworthy individuals who will make sure the funds hit their mark and achieve the most good. With that much money, there is no such thing as a savings account for you to squirrel away to; and if you did you’re a villain who will wind up in Dante’s Fourth Level of Hell (Avarice). In a single month, you make more than the FDIC will insure.

Maybe it’s the fact that it is so unfathomable that made my friends give such dumb answers, but it just struck me as sublimely poor reasoning. “I’d buy a yacht.” “I’d buy a private jet.” Sure, you do you, boo; but I say forget the luxury industry. They have plenty of Old Money twits to keep them in business. Be the hero the world needs. Buy whatever kind of house you want, pre-pay your life and your grandchildren’s lives, then fix the world.

In other news, I have another book out!

Well, one that I helped contribute to. Proper ownership goes to Jessica Augustsson, as she’s the editor. And due credit to her, as she was a joy to work with. So, if you’re feeling like a tale featuring a quirky future kid getting tangled up in the misadventures of time travel, check it out on Amazon, and look up my piece, “30,000 B.C.” [Here, if you’re in the UK, chaps.]

I’d be much obliged.

Stay frosty, remember ya beautiful, and I’ll see you around.

Old Limits, New Heights – an update & news

Twenty-seven is a strange age.

You’re old enough now to have enough experience to “know better” and have gone through enough tribulations that you’ve come out the other side of some difficulty; but at the same time, still young enough to be referred to as “a kid in their 20’s.” In a lot of ways, it’s kind of having the best of both worlds: enough years under your belt to claim experience and authority in some situations, but just enough green to claim ignorance and get away with it most of the time.

It’s also tricky, because I want to introduce a story with “when I was a young man,” or “when I was younger,” they both feel a little disingenuous because I mean, like, five years ago.

So, when I was a young(er) rapscallion, I was delusional about my prowess in hand-to-hand combat. Like we discussed way back in “Fight Club: Fringe League,” I’m way more cognisant of those limits nowadays. I know that I don’t know the correct way to uncork a punch. I’m aware I don’t have a trained poise for rolling with or absorbing punches and kicks. I have some idea of how hard it is to control yourself or another human while in a wrestling scramble. But a few years ago, that wasn’t the case at all.

I argued with friends and coworkers, pretty vehemently mind you, that I could handle myself in a fight with a mountain lion. I was convinced that as the cat would leap at me, I could sidestep it, pop it in the mouth, and leave it dazed and confused on the dirt. I had a whole technique that was 100% foolproof (emphasis on “fool,” here) wherein my thumbs would hook the corners of its mouth and my forearms would block the claws just below the paw, rendering me completely safe from its assault.

I realized later that, as a cat in that situation, it would still have hind legs with sharp-ass claws that it would use to deftly carve open my soft-ass torso, disemboweling me in maybe a few seconds.

And while I’m ranting about this, another thing. I saw a YouTube video some years ago (I tried finding it, but to no avail – so allow me to paint the scene) featuring a zoo enclosure somewhere in southeast Asia, I believe. Unlike the enclosures we have here in the U.S., it’s the massive open expanse, and the feed isn’t a slab of steak through a door, but a live feeding. Meaning, they dump a live cow or goat in the middle of this field, peel out, and the – in this case – tigers jump all over it, giving them some semblance of a hunt.

It was in this particular video that they were fed in this way a single large cow who, after being dropped in this field, naturally tried to make a break for it. To humans, do you know how f***ing strong a cow is? A cow could level an average person without even meaning to. Well, four tigers swarm this ole gal and just one of them brings her to the ground with minimal – and I mean MINIMAL – effort. Three just start going to town, tearing into the soft bits, and the cow is…well, being loud about it. The fourth tiger is calmly watching its siblings fill their tummies when it decides to saunter over, grip the cow’s neck with its teeth, and snap it like a cracker.

Y’all, it mercy-killed that bovine with the same energy I use to take a sip of coffee. And that monster was the kind of thing I thought I could “K.O. if I had the chance, bro.”

Disgusting.

Anyway, another book with my name on it came out this month!
Bards & Sages Publishing has their “Society of Misfit Stories Presents…” vol.III issue out now on Amazon for those looking for a paperback, and for the e-readers among us, Smashwords is doing their thing and offering a 20% off discount through the end of the year if you use the code PC74V at checkout.
Look for my contribution to the collection, “High Noon,” which follows a Canadian kid who tries to hike the Pacific Crest Trail but gets…caught up as he takes on a mysterious guest.
And that’s kind of sweet.

Til next time, y’all.

“Artificial”

Hey all, happy middle-of-the-week.

Growing up, in the war between Star Wars and Lord of the Rings, also known as the ‘Great Conflict of Sci-Fi Nerds and Fantasy Nerds of Forever,’ I always had my flag pitched pretty firmly in the camp for Fantasy Nerds. That’s right, you science nerds can suck it with your “lasers,” and your “spaceships,” and “anti-gravity-whateverthehell,” I’m over here with dragons, immortality, ethereal curses, and all the rest.

And even now at twenty-seven, I still do kind of hold that stance, but am waaaay more of a mercenary now than married to either side. My heart will always be with the art of High Fantasy, but I’ve come to see the love for science fiction a great deal and have really become a sucker for things like the cyberpunk genre (R.I.P. CD Projekt Red). Movies like Upgrade, Blade Runner 2049, Ex Machina, Ghost in the Shell, and to a lesser degree of genre, Arrival, Inception, and Tenet.

As it turns out, Sci-Fi is awesome.

Alright, I was writing something out, but then I began to notice all I was doing was spoiling the story here today, so I bumped it to the bottom. Without further adieu….

“Artificial”

April 6, 2034

This day…just…keeps coming back to me.

You’d just died maybe two months before, and I’m standing at your grave. The headstone your family got for you is nice, nobody seems to go out for real marble anymore. Others have been by and left flowers too, I guess. But you didn’t tell too many people you liked sunflowers best, natural ones. The synthetic daises under your name smell right, the petals even bruise if you press them, but they never wilt. And they don’t bob in the same way when the rain drops hit them either.

I want to stand in the rain because with you gone at least it would feel like I have someone to cry with. But of course Lucille’s right there with the umbrella.

“Are you cold?” she asks me.

“No,” I tell her.

“Are you sad?” she asks after a pause.

I almost laugh, but there doesn’t seem to be a point in it. “Yes. Of course.”

“Barry,” she says again. “May I ask you a personal question?”

“Shoot.”

“Are you afraid?”

It’s hard to say what it was, but the question stopped me. I had to swallow a lump in my throat before I found I could answer. “Of what?”

“Dying,” she says.

All I did was watch the rain break against the marble and run along the letters of your name. She’d struck a chord.

I want to tell her I am, but am also not. After all, you’d done it, so had everyone in history, so it can’t be that bad. I think of all sorts of reasons to be or not to be, but in the end all I say is, “I don’t know. Maybe.”

“May I ask you another personal question, Barry?”

I don’t say anything, but just nod.

“Are you afraid of me?”

This time I look at her, and she looks at me. It’s tough to say what it is – at first I think it might be because she looks like you – but I think instead it’s the way she looks at me. I look into her eyes and every second longer I do, I see something else. Her eyes aren’t steadfast, they flutter subtly, searchingly, minutely quivering like yours or mine. Her lips flex so slightly, the way they do when your teeth don’t touch and your jaw is uneasy, so subtle you wouldn’t notice if you weren’t locked in such an intimate moment with someone.

“It isn’t fair,” I say.

“What isn’t fair, Barry?” she asks.

“To be so unsure.”

And why shouldn’t I be? The small signals in her eyes, her face, her hands. The soft cues of inner feelings we all use, all wrestle with. Our emotional responses have outward signs, just because she’s different doesn’t mean they can’t come from the same place. And how is she so different, anyway? Because she has a production date? I have a birthday. She has a serial number? I’ve got a social. Because of her programming? I’m a creature of habit and education too, but that doesn’t mean I’m not a person beneath it all. And that “unique cipher” DigitalBio is so proud of each of their products having…

I look down at my hands and think of the countless times since androids were first announced that I’ve done that. The runic layout of our fingerprints, the ridges of those tiny lines, the creases in the palm – it’s hard to see how that’s really any different.

I look back at her and she looks at me. Just like you she’s beautiful. The way her hair rests on her shoulder, the way the blue of her eyes contrasts against the gray background, she reminds me of you a lot.

Two men walk past and I catch their sneers. “They let you bring that thing onto the grounds?” they mutter. Of course she hears them, I’m sure, but she won’t move.

1’s and 0’s. Plastic, carbon fiber, and alloys. A machine of intelligent design is what we’re supposed to see. Programmed responses, algorithms, protocols, functions, and nothing else. But why is it foolish to see more than that? Once upon a time, the animal kingdom was thoughtless and bereft of conscious intelligence, but look a little further and gorillas take up sign language, whales and dolphins speak, crows remember faces, elephants lament and mourn their dead – all just like we do. Hell, even mushrooms communicate with each other. It only took a small amount of respect to see humans aren’t as alone as we pride ourselves.

So why am I so unsure when I look at her? I’m standing there, in a city cemetery, and she just stands there looking back at me. I feel the first tears burn down the side of my face and I know exactly why: because I don’t know whether or not to feel alone there.

“Do you,” I say still wiping my face, “do you ever get that way?”

It would have stuck with me no matter what, but what really got me was that she didn’t answer straight away.

After a few seconds of silence, I look at her again and her eyes are in the grass. I see her squeeze the grip on the umbrella, barely, hardly perceptible but it’s there.

“Yes,” she says.

Arthur C. Clarke had this great quote once upon a time where he said, “Two possibilities exist: either we are alone in the Universe, or we are not. Both are equally terrifying.” He’d meant E.T.’s, I think, but here I was confronted by a one-word answer that scared me, relieved me, excited me, lifted an enormous weight off my shoulders, and settled a new one on them all at once. I’d never felt those words more heavily than I did in that moment. The rain began to pick up again and drum against the umbrella’s hood.

“Come on,” I say.

“Where are we going?”

“Let’s go get a coffee for starters. This talk should take a while.”

Maybe she’s more like you than I thought.

Funny thing since you named her, eh?

END

I’ve harped on it at length before, but the game Detroit: Become Human may have faults here and there, but I ultimately found it to be an incredible ride in narrative. The piece below (now above) started, I’m pretty sure, was born of inspiration from playing that game. It was a Mental Movie that featured a man and a woman in a hospital room, at first. The man would be older and sort of plain, looking sort of like Paul Giamatti, and the woman would be young, fair, and beautiful. She would be in the hospital bed, and he would be standing beside her, and all that would take place is a conversation about humanity. Slowly, it would unfold that one of them was an android while the other was human, and I felt the natural assumption would be that the woman would be the manufactured android, giving how beautiful she was, but in reality it would be the man – I don’t know, an attempt to show the separations of what we value, humanity, and how those things influence our assumptions while at the same time being intrinsically linked. Then, one morning, I sat down, slapped some keys, and we got the above little piece.

Anyway, something to think about, maybe.

Til next time.