Abyss & Apex – The Light of Day

I enjoy a lot of hobbies, and sometimes that can feel a little like that means I’m not good at anything. I took up cooking recently because my wife and I were gifted a cast iron skillet that I fell in love with. I started by getting a couple of cookbooks, trying out different recipes, then going off-book and coming up with my own, now slightly-informed concoctions. And it’s been going well. I know more herbs and techniques now than ever before in my life, and I love the creative process of it all. Not everything I churn out is menu-worthy, but some stuff is.

And as with any activity, trade, or artform, there’s always more to learn, and there’s more going on under the hood than appears on the surface. That’s true when you learn anything, and it’s part of what can make everything fascinating. Once you realize everything’s that way – there’s a starting point, a process, progress, and development – anything new you try is at the same time more daunting and more accessible than it was at first glance.

It was that way with rock climbing and running, when I did those back in the day; I’m a big Magic: the Gathering player and it was that way learning the in’s and out’s of the game; same way, albeit simpler, for my recent backgammon obsession; similar to learning how to bend notes and operate your tongue playing the harmonica; and it was the same when learning how to shoot a bow back in the day, learning how to stand, how to use your shoulders and set your hips, how to release without plucking, how to breathe, etc.

Frankly, I’m kinda good at a number of things, because I’ve pursued them with interest. But the downside there is feeling like I also kinda suck at everything, since in each of those avenues mentioned above, there are loads of people who are better at them than me.

I’m better now at cooking than I was a few months ago, and it’s been real nice to impress friends and family with my newly acquired know-how, but next to any truly savvy cook, I’m a total chump. I’m much better than your average person walking the street at using a bow and arrow or playing Magic, but would be a slack-fingered halfwit on the line or at the table next to anyone who trains and/or goes to tournaments. I earned my first ever backgammon against a good friend the other week, but your average club member would probably use me to mop their floors.

But – and this is a big ol’ nice jiggly “but” – being the best at your hobbies shouldn’t be the point.

Kurt Vonnegut had a good story once about being sent a letter from a fan, and while I’m foggy on the details, I do remember the advice he had for said fan: Go home and write a poem. Make it the worst, most stupid and dumb-sounding poem that’s ever existed if you have to, then rip it up into tiny pieces and scatter them. The point isn’t in having the poem to show off, but in having written it. Art isn’t supposed to be done for a sale (funnily enough being said at that point by a profoundly successful professional author – an irony he himself points out). The whole point of art is to do it and enrich yourself by doing it. So write a shitty poem, sing a song that sucks, make a clay pot that’s ugly as sin – just do it, though.

I’ve raved before about how great a lesson the Pixar movie Inside Out had to give out, and up there next to it is the movie Soul. If you haven’t seen it yet, skip to the next paragraph, starting…now, but in essence the lesson of that movie is that a single-minded pursuit is the best way to miss out on life. The main character is so wrapped up in his romantic pursuit of being a jazz musician, he not only misses out on the joys of his daily life and he’s shocked to see the realities of that life don’t fit his ideal once he becomes one. It takes a cartoon cat to show him that life is about the small, loveable mundanities, the variety. No one slacks him for having a dream, it’s just that there’s more to life than that.

Now, there is a certain nobility to giving up a varied life experience in order to power-level one particular skill, to eschew other interests and pleasures in pursuit of mastery of one specialized thing. The star athlete that devotes every waking thought and action toward championship of their sport, the craftsman that locks themselves away in pursuit of perfection of their art, the businessperson that is single-mindedly focused on whatever they heck they’re doing – there is a certain degree of honor due to that lifestyle. But I’ve been stuck with the following quote ever since I came across it, spoken by Lazarus Long in “Time Enough for Love” by Robert Heinlein: “A human being should be able to change a diaper, plan an invasion, butcher a hog, conn a ship, design a building, write a sonnet, balance accounts, build a wall, set a bone, comfort the dying, take orders, give orders, cooperate, act alone, solve equations, analyze a new problem, pitch manure, program a computer, cook a tasty meal, fight efficiently, die gallantly. Specialization is for insects.”

So in conclusion, does a part of me lament not being the best at whatever I set myself to? Yes, a little bit. Does the rest of think that’s a pretty stupid thought? Absolutely. I think it’s kind of awesome to celebrate the talents, displays of skill, and ingenuity of our fellow peoples. We, individually, can’t do everything, we never will, and it’s a load off to realize that. Should we strive to be good at what we do? Sure, in the name of accomplishment and enjoying whatever thing is in question, but not to the detriment of that enjoyment.

Shoes for Little Sap

by Evan A Davis

It’s cool knowing a little bit about a lot. 10/10, would recommend.

ALSO! If you haven’t heard, got another story out there, this time courtesy of Abyss & Apex Magazine. So check them out and tell them how much you really like “Shoes for Little Sap” by that Evan guy.

I’m gonna do one of those things I dislike, which is writing about writing. It always feels…I don’t know, almost masturbatory in a way, even if it’s self-deprecating. Like in movies or shows, or any of Stephen King’s short fiction where the protagonist is a writer, it strikes me as so obvious that I’m just consuming somebody else’s self-insert fantasy.

Which, I mean, what else am I subjecting your potential eyeballs to with this rant, really?

My point is that rejection letters are a part of this game. They go along with that saying of how success is 1% reward and 99% work that others don’t see. Speaking of 1%, actually, a lot of places I submit work to have an average acceptance rate of 1% or less. I take that to mean that I can expect 99 rejections for every pickup I get, or to put it another way, I have to try 100 times for each success I can expect. Now, I’ve beaten the odds on that a fair bit, but rejections start to get a little brutal when they pile up without a win somewhere in the mix.

But there are things that keep me at the table.

Like when a rejection is personalized. Most are form letters, templates, fine. But when one is personalized to say “Hey Evan, I liked your story. Here’s what it did well, here’s what missed, and we almost accepted it, but have to pass this time. I know it would have been a good pay day with great distribution and you were this close, but nah. Better luck next time. Kisses.”

Boof. Ouch. I think back to Loki’s words in the first Avengers movie, talking to Nick Fury: “It burns you, doesn’t it? To have come so close, but then be reminded of what real power is?” I don’t know what “real power” is in this analogy, but shit, yes, ouch.

That said, my brain can’t help but focus on the huge other side to all that: So…you’re sayin’ there’s a chance?

The truth is that there are a million reasons why work can get rejected. Loosely paraphrasing an essay I read from an outlet, Dream Forge, on the subject: Your story could have been funny and a good fit, but the editor who read it just didn’t feel like funny that day. Could have been the slush reader who happened across your story in the pile just went through a break up and took it out on you. Your story about kickass ninja vampires on the moon could actually be a perfect fit, but it just so happened that the story just before yours on the stack was also about kickass ninja vampires on the moon, and they accepted that one because they saw it first.

So submitting fiction is a lot like playing the lottery, if you don’t have an agent or a hook-up (and maybe even then, I don’t know). And knowing that I got super close to a win makes it feel like I’m about to, you know, just like the logic that the steretypical gambler that uses to lose their house at a blackjack table.

And there’s also the rush to consider. Either when an acceptance comes through, or even just when a new prospect or idea surfaces. I get a lot of my news about available submission windows through newsletter services like Freedom With Writing and Authors Publish, and most times when I send out a bevvy of submissions, it’s like sending a bunch of soldiers out on a suicide mission. I know most of those aren’t coming back.

But you have to try.

And when a fresh wave of new submission opportunities pops up in my email, scanning through them to look for anything promising…ooo, the rush of potential is what keeps me addicted to trying. And in the background, I try to always have something cooking, some new grist for the mill.

And sometimes those come through.

My story, “Shoes for Little Sap” is coming out with Abyss & Apex Magazine on the 1^st. It’s cozy, quick, and has a special place with me, both being a former NYC Midnight piece of mine and something I read to my mom when she was in hospital some years back and got her to smile. (I remember thinking then and there that the story had served its purpose, and I’d be okay if it never again saw the light of day after that. Of course, pretty thrilled to have it be published, but still, you get my meaning.) So yeah, check it out! I’ll be bugging folks about it on here more between now and then, but mark your calendar anyway.